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Dance Class - © Ciaran Cunningham/Giant Olive
Andre Radmall's play gets off to an unusual start. 'What you're about to see,' says its writer and lead, 'is the fruit of my entire career.' He calls for questions and a woman in the audience gets up and says, 'Just one… are you single?' As the dialogue continues it becomes clear this is the backstory of the couple on whom this play is centred; Tom, an alcoholic psychiatrist with a past, and his wife Eva who loves to dance.
It's episodic but brilliantly done, fluid and easy to follow. Radmall and Pippa Winslow both shine in a production which relies entirely on narrative instead of props. It's also a dance piece, whose pace shifts interestingly as the story develops; from the lighthearted learning of the wedding number where Tom's awkward moves are a joy, to the wonderfully choreographed scenes between Eva and her teacher that contrast with the fraught hostility between her and Tom.
Right at the end, in a play that's been tense throughout, there's a beautifully tender moment between the two. Love is enduring after all and so is hope, a message that resonates throughout. If Radmall's future writing is as strong as this debut, he will be a talent to watch.
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What is 'following'?The Giant Olive Theatre Company looks after the bill at this intimate pub theatre with artistic director George Sallis at the helm. The emphasis...
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A brilliantly minimalist, insightful and enjoyable performance! Wonderful salsa dancing and a delightful venue too. Thank you Andre!
Just come back from watching this sensitive and touching play with a dash of Salsa!!..its beautiful...if you love theatre especially fringe...you have one week to catch it....it was a packed night and the feedback? lots wanted more scenes!!
When I read this review I was shocked, too. I sounds as if the reviewer had seen a totally different play. The play that I saw did not impress me at all. I am afraid I have to agree with Jane in all the points she raised.
A nice idea in principle but most of it just remained words without substance. When I go to see a play I don't expect to be TOLD what a character feels, I want to be SHOWN that he/she is happy, suicidal, or in love, I expect to feel with him/her and be drwan into the play, not stay on the outside not being really interested in the characters or caring for them and thinking "oh, now he is suicidal".
I think it was Hitchcock who once said "film is like life with the dull bits cut out." The same applies to theatre. And here a lot of the "dull bits" were left in, we had far too many words and not enough drama. There is a significant difference between a diary and a play.
The plot did not develop to explore the issues in depth. Instead of depth we were given length. For example the dance scenes were expertly handled but far too long in the context. The situation was clear in a minute but the scenes went on and on. Shame, as the story could potentially have been interesting.
The blue folding chairs were embarassing only in the beginning but later they got annoying and distracting as the actors seemed to be more involved in folding and unfolding them than in interacting with each other.
One could see that all the people involved had good intentions, I hope for the writer that for his next project he can find someone who is honest with him and can help him make his ideas less wordy and more dramatic.
I'm really quite shocked by the good review!!!! It was two-dimensional and some of the acting, not helped by the dialogue, was pretty wooden. The wife and the dance teacher were the better performers. The blue folding chairs were embarrassing: if you're going to do without props then be bold!! It seemed to really lack any stage-craft or imagination. Even though I only saw it last night I've forgotten how it ended: that can't be a good sign!
A joy from start to finish. Catch it while you can.
A great and memorable night - we thoroughly enjoyed the play. A gripping story with great acting.
Really good! Would recommend it wholeheartedly. Funny and moving. Great work by all!
Thrilling drama with brilliant dancing throughout. Andre has written a clever and moving account of the world of addiction and the hope that can come in the midst of it. Definitely worth seeing!!
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