Musicals and theatre in London

The concrete-clad, 1960s modernist grandmother of them all: no theatrical tour of London is complete without a visit to the National, whose three auditoriums – Olivier, Lyttelton and Cottesloe – offer a rolling repertory programme, often with a choice of several productions in a week. The National Theatre may have once had a fiercely inaccessible reputation, but the arrival of maverick artistic director Nicholas Hytner in 2003 rocked theatreland as he set about changing the venue's staid ethos with daring productions such as 'Jerry Springer the Opera' and an ambitious adaptation of Phillip Pullman's 'His Dark Materials'. The change of tack proved a success, attracting audiences of mixed race, age and class – and Hytner's budget £10 Travelex-sponsored tickets still help pull in the crowds in the summer season. The home stable for Michael Morpurgo's 'War Horse', which opened here in 2007 and went on to break West End records, the National is now developing a reputation for family-friendly blockbusters, cue its current production of Mark Haddon's 'The Curious Incident of the Dog in the Night-time'. Meanwhile the National Theatre Live initiative has extended the theatre's reach by broadcasting high-publicity productions such as Danny Boyle's role-swapping smash-hit 'Frankenstein' and the comedy 'One Man, Two Guvnors', which introduced James Corden to the stage, live to Picturehouse Cinemas. A recent run of the post-modern musical 'London Road' proved it hasn't lost its edge. You

The Young Vic finally returned to its refurbished home in The Cut in 2007 with acclaimed community show ‘Tobias & the Angel’. As you would expect, it’s got more verve and youthful nerve than the grown-up Old Vic down the road and attracts a slightly younger more multicultural – yet still discerning – crowd. Director David Lan’s eclectic programming of rediscovered European classics has proved popular with the critics, while a stage adaptation of DBC Pierre’s ‘Vernon God Little’ was standing ovation material. Three venue spaces – the main house and studio spaces Maria and Clare – allow for flexible scheduling and more intimate works such as Tarell Alvin McCraney’s moving ‘The Brothers Size’. The Young Vic also provides its Waterloo home with a popular split-level bar and restaurant complete with an open-air balcony terrace.

The original Globe Theatre, where many of William Shakespeare's plays were first staged and which he co-owned, burned to the ground in 1613 during a performance of 'Henry VIII'. Nearly 400 years later, it was rebuilt not far from its original site, using construction methods and materials as close to the originals as possible. Shakespeare’s Globe has been an unbridled success, underpinned in part by its educational programme (you can drop in for talks and readings) and its commitment to faithfully recreating an original ‘Shakespeare in performance’ experience from April to October. The open-air, free-standing Yard is the best bet for those after complete authenticity – the absence of seating may test your stamina but tickets are excellent value – while the Middle and Upper Galleries afford a (marginally more comfortable) atmosphere of their own. The only thing that tends to mar a performance is the theatre’s somewhat noisy, flight-path location. In the UnderGlobe beneath the theatre is a fine exhibition on the history of the reconstruction, Bankside and its original theatres, and Shakespeare's London. Guided tours of the Shakespeare's Globe theatre run throughout the year. If the Bard is not your bag, look out for various seasonal festivals that take place on the riverside area outside the Globe Theatre. For more information about visiting the Globe Theatre, head to www.timeout.com/outdoor-theatre-faqs