Lyric Hammersmith
Photo: Jim Stephenson

Lyric Hammersmith

Leftfield theatre remains at the heart of this striking Hammersmith arts hub
  • Theatre | Private theatres
  • Hammersmith
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Time Out says

The Lyric Hammersmith is closed due to the coronavirus epidemic. The programme is technically due to resume with ‘Antigone: The Burial at Thebes’ on April 18.

Emerging in 2015 from a multimillion pound makeover, the Lyric Hammersmith is less a simple theatre, more a multipurpose community hub that includes everything from recording studios to digital development rooms.

But plays remain at the heart of it all, thanks to the singular artistic directorship of Sean Holmes, who has turned the Lyric Hammersmith into a venue both avant-garde and accessible, marking it with his own, very European directorial style. He's leaving in 2019, to be replaced by incoming artistic director Rachel O'Riordan, who's had an impressive run of success at the helm of Cardiff's Sherman Theatre.

Exploring the Lyric's interior is a play of two halves; the front of house areas are all shiny concrete-floored modernity. But step inside the theatre's auditorium and you're suddenly transported into a carefully preserved 1895 Frank Matcham-designed roccoco interior of rare splendour, complete with an unusual, curved proscenium arch. That's because when the original Lyric Theatre was demolished in 1969, its auditorium was painstakingly removed and carefully preserved in a new theatre down the road, which opened in 1979, before being thoroughly revamped and expanded in the 21st century. 

The Lyric Hammersmith's tickets are cheaply priced, with many major shows staging a free preview for local residents. It's never fuller than at panto season, when the auditorium is packed out with families, and its regular Little Lyric strand of programming lures in kids during the school holidays. 

It's also arguably one of the best spots in central Hammersmith to grab a pint and a bite to eat, not least on its first floor roof terrace, which is a green and pleasant oasis in the middle of gritty W6.

Details

Address
Lyric Square, King St
London
W6 0QL
Transport:
Tube: Hammersmith
Price:
Various
Opening hours:
Check website for show times
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What’s on

Jaja’s African Hair Braiding

4 out of 5 stars
Ghanaian-American playwright Jocelyn Bioh has already impressed at the Lyric Hammersmith with her cracking comedy School Girls; Or, The African Mean Girls Play. Now she returns, with director Monique Touko once again at the helm, bringing the play that earned her five Tony Award nominations in 2024 – and it’s easy to see why it was such a hit on Broadway. Much like its predecessor, it is infectiously warm-hearted, with characters that are riddled with personality. Set over the course of a single working day in the heat of summer, the play begins with the shutters of Jaja’s Harlem salon being hauled open. But Jaja herself is nowhere to be seen: instead, her 18-year-old daughter Marie (a brilliant stage debut from Sewa Zamba) has been left in charge, while her mother is off preparing for her wedding day to a white American. The daily grind continues as the staff arrive to braid hair, bitch and banter, offering us a small slice of their everyday routine. In some ways a companion piece to Inua Ellams’s superb Barber Shop Chronicles, the play uses the salon space to host big conversations. As customers pass through its doors and settle into the chairs, the women open up about their lives in America, their journeys to get there, and their relationships and ambitions. Jaja’s longest-serving colleague, Bea (Dolapo Oni), has been married four times and dreams of one day running her own business. For now, though, she finds herself at odds with new temporary employee Ndidi (Bola...
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