Lyric Hammersmith
Photo: Jim Stephenson

Lyric Hammersmith

Leftfield theatre remains at the heart of this striking Hammersmith arts hub
  • Theatre | Private theatres
  • Hammersmith
  • Recommended
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Time Out says

The Lyric Hammersmith is closed due to the coronavirus epidemic. The programme is technically due to resume with ‘Antigone: The Burial at Thebes’ on April 18.

Emerging in 2015 from a multimillion pound makeover, the Lyric Hammersmith is less a simple theatre, more a multipurpose community hub that includes everything from recording studios to digital development rooms.

But plays remain at the heart of it all, thanks to the singular artistic directorship of Sean Holmes, who has turned the Lyric Hammersmith into a venue both avant-garde and accessible, marking it with his own, very European directorial style. He's leaving in 2019, to be replaced by incoming artistic director Rachel O'Riordan, who's had an impressive run of success at the helm of Cardiff's Sherman Theatre.

Exploring the Lyric's interior is a play of two halves; the front of house areas are all shiny concrete-floored modernity. But step inside the theatre's auditorium and you're suddenly transported into a carefully preserved 1895 Frank Matcham-designed roccoco interior of rare splendour, complete with an unusual, curved proscenium arch. That's because when the original Lyric Theatre was demolished in 1969, its auditorium was painstakingly removed and carefully preserved in a new theatre down the road, which opened in 1979, before being thoroughly revamped and expanded in the 21st century. 

The Lyric Hammersmith's tickets are cheaply priced, with many major shows staging a free preview for local residents. It's never fuller than at panto season, when the auditorium is packed out with families, and its regular Little Lyric strand of programming lures in kids during the school holidays. 

It's also arguably one of the best spots in central Hammersmith to grab a pint and a bite to eat, not least on its first floor roof terrace, which is a green and pleasant oasis in the middle of gritty W6.

Details

Address
Lyric Square, King St
London
W6 0QL
Transport:
Tube: Hammersmith
Price:
Various
Opening hours:
Check website for show times
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What’s on

An Ideal Husband

3 out of 5 stars
Lyric Hammersmith associate director Nicholai La Barrie’s revival of Oscar Wilde’s 1895 mirth-y morality play has flair to spare. Performed by an all-Black cast, in both tone and energy, it follows on the impeccably stylish heels of the National Theatre’s extravagant The Importance of Being Earnest. The play pivots on the difference between outward appearances and inward realities. The glamorous life of seemingly ideal husband and politician Lord Chiltern (Chiké Okonkwo) looks set to fall apart when Mrs Cheveley (Aurora Perrineau) – a schooldays frenemy of his wife – blackmails him into supporting a fraudulent canal-building scheme by revealing she has evidence that he built his fortune on insider-trading. La Barrie nails the heady rush of wealthy excess. This is a stunning-looking production, thanks to Rajha Shakiry’s vibrant set and costume design, which draw on a wealth of cultural and high-fashion references. The Chilterns and their coterie of friends and hangers-on live in a world textured like an art gallery. Script tweaks referencing Hello! magazine and a bookshelf glimpse of a title by gay Black writer James Baldwin add to a setting that’s more of a retro-modern vibe than a concrete era. Ms Dynamite’s music co-exists with letter-writing instead of mobile phones. There are some exquisitely crafted comic performances, including Tiwa Lade’s doll-like turn as Lord Chiltern’s beady-eyed sister, Mabel, brightly cutting a swathe through everyone. Jamael Westman is also...
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