Theatre , Drama
  • 2 out of 5 stars
  • 4 out of 5 stars
(4 user reviews)
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© Manuel Harlan


© Manuel Harlan


© Manuel Harlan


© Manuel Harlan


© Manuel Harlan


© Manuel Harlan


© Manuel Harlan


© Manuel Harlan


Parenting – declares Tamzin Outhwaite’s Briony at the start of this dubious comedy – is ‘far more dangerous than driving a car… Any old idiot can drive straight on to the six-lane motorway, dodging the juggernauts, causing great huge pile-ups in their wake.’ Briony is lactating heavily and depressed. Her husband, Barnaby Kay’s Keith, is on the edge of a nervous breakdown. They have left their three-year-old son with their parents so they can escape to a cottage in Wales and have a glorious child-free weekend with two other couples.

So how dismaying it must be to discover that they’re trapped in a cottage full of clichés. A distressing situation, compounded by the fact that in this particular part of Wales you can see punchlines approaching from 50 miles away. From the second you see the bottle of expressed breastmilk being hidden on a shelf, you know damn well it’s going to end up in someone’s coffee. And as the hapless pair – both left-wing teachers – declare how thankful they are that obnoxious poshos Charles and Serena won’t be joining their party this weekend, you know precisely who will turn up as last minute guests.

No, Simon Paisley Day’s debut comedy doesn’t trade in subtleties. Two depressed left-wing teachers, two gung-ho upper-class twats, two liberal smug marrieds (you’ll never guess what happens to them), and a delinquent teenager – these are the evening’s basic ingredients. Next door to the cottage, a rave provides additional opportunities for emotional disaster. So the question becomes what can the starry cast make of this scenario? The good news for the multitude who will be drawn there by Robert Webb is that he excels as the morally compromised smugly married Ross. It’s a compliment to say that he really inhabits his obnoxiousness – and as his uptight wife Rosy, Sarah Hadland does the best she can as a humourless character in an over-humorous universe.

But overall, Ed Hall’s technically slick production is too shrill – a distressing case of six characters in search of some subtlety. Even farce needs some original emotional insight, but by the time the mad religious Welsh farmer turns up with a gun you know that, in every sense, we’re scraping the bottom of the barrel.

By Rachel Halliburton

Average User Rating

4.3 / 5

Rating Breakdown

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  • 4 star:3
  • 3 star:0
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1 person listening

So the characters are all stereotypes! My part of London is full of them. It was a deliciously funny evening with a really first class cast. Please ignore the review and go enjoy yourselves.


I also think the reviewer was really unfair, I saw Raving last night and really enjoyed it - Rachel must have been feeling really miserable that evening. There are lots of cliches, but not in a eye rolling way. The breast milk didn't end up in the coffee by accident like some slapstick comedy like she made out it did. Loved seeing Robert Webb acting the same as he does in Peep show. Overall it was really fun! Ignore the negative review (which almost put me off going) and if you want a fun play go and see it!


I think the reviewer is in need of some sense of humour. Yes, there are cliches and sometimes the characters are a little over the top, but in the end it is still a really good comedy. I enjoyed it.

William Amo

Stellar performance from a truly stellar cast. Went to see it last night and have been 'raving' on about it ever since. Definite must see!