The Lyons

Theatre

Drama

Various venues

Until Sat Nov 16 2013

  • © Nobby Clark

  • © Nobby Clark

  • © Nobby Clark

  • © Nobby Clark

  • © Nobby Clark

  • © Nobby Clark

  • © Nobby Clark

© Nobby Clark

Time Out rating:

<strong>Rating: </strong><span class='lf-avgRating'>3</span>/5

User ratings:

<strong>Rating: </strong><span class='lf-avgRating'>4</span>/5
Rate this
 
0

Reviews

Add +

Users say

0
<strong>Rating: </strong><span class='lf-avgRating'>0</span>/5

Average User Rating

3.5 / 5

Rating Breakdown

  • 5 star:1
  • 4 star:0
  • 3 star:0
  • 2 star:1
  • 1 star:0
LiveReviews|2
1 person listening
Marissa Cruz

A dysfunctional family gathers round the hospital bed of its dying patriarch. It doesn’t take long for the stilted niceties to give way to recriminations and revelations between the bickering foursome. With scenes in either a hospital room or an empty flat, this play could have been set in any city, anytime. This generality could have been its strength, becoming a chameleon to whichever audience in whichever city it is shown to, but in this instance, is its major weakness. The strident accents, and passing references to Suzanne Pleshette, Cagney and Lacey, and the Chrysler Building root it firmly in the US – making it a hit on Broadway, but a detriment in London if one is relying on them for laughs. The era in which the play is set is indeterminate – the father’s rejection of his son’s homosexuality is almost quaint in this modern times. Had they translated this family as English – ditch the American accents, put a joke here and there about the NHS in the hospital scenes, and reference British personalities and shows – one wonders if it could have elicited more reaction from the audience. Cheap laughs were wrung out at the beginning from having the father swear like a sailor at his various family members, but anyone other than fifteen-year-old boys will tire of this eventually. Some pathos is injected in the second half with each family member seizing what seems like their first steps toward redemption, despite the downpour of vitriol from the first half. However, it just seemed too little too late to like these unsympathetic characters. The performances were polished, but were restricted by the material. Neither a particularly witty nor emotional play, sitting through The Lyons was like spending Christmas dinner with difficult family members, and like in that situation, this audience member sighed with relief when it was all over.

Lizzie W

Fabulous play, expertly executed. The script is sharp, brilliantly funny and was delivered with fabulous timing. Standout performance from Isla Blair, although the whole (very small cast) were exceptional. Even the American accents didn't falter. Get a ticket, go and see it.

Book theatre tickets