Things to do in Los Angeles on Sunday

Each summer, Bard fanatics watch their favorite works come to life at the historic Old Zoo in Griffith Park. For 15 years running, Independent Shakespeare Co. has put on a series of lively productions each week, inviting audiences to take a seat on the grass (read: bring a picnic blanket) and enjoy performances like this season’s headliner, early Shakespeare comedy Love’s Labour’s Lost, which will be followed by Christopher Marlowe’s Doctor Faustus. With construction of a permanent stage currently in process on the main lawn, this summer’s shows will again be held in the dell at the top of the Old Zoo—meaning available space is smaller, and although performances are still free, reservations are required.

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Over a dozen new vendors joined the lineup this year: Feast on Afro-Caribbean cuisine from withBee, Lebanese street food from Teta, ice cream tacos from Sad Girl Creamery and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

Watch a slate of classics from the past couple of decades on one of the prettiest rooftops—now called Oasis—in Hollywood at this outdoor screenings series. All movies are piped in over sets of provided wireless headphones. Before showtime, make sure to hit up the bar or the on-site kitchen.

This special exhibition at the Broad makes its way to Downtown L.A. from the 2024 Venice Biennale—and Angelenos should consider themselves lucky that such a remarkable display has set up stateside. Jeffrey Gibson became the first Indigenous artist to represent the United States with a solo exhibition at the Italian art event, and this adaptation of that show, “the space in which to place me,” assembles 30-plus pieces of geometrically-patterned paintings and glass bead–adorned sculptures into the first-floor galleries of the Broad. Born in Colorado with tribal roots in the Southeast U.S., Gibson explores Indigenous identity as well as queer history by fusing pop music lyrics and foundational American documents into psychedelic statements on belonging, history and oppression; the Declaration of Independence’s “we hold these truths to be self-evident…” line—but not “all men are created equal”—is spelled out across brilliantly saturated beads that’ve been affixed to a literal punching bag. But this is ultimately a joyous show, an inclusive celebration of survival, resilience and empowerment that pays tribute to histories of resistance and looks optimistically forward. Unlike the rest of the otherwise free museum, you’ll need to buy a $15 ticket to see Gibson’s exhibition. And while it’s absolutely worth the price, you can save by taking advantage of free admission on Thursday evenings after 5pm. Expect an accompanying slate of performances, talks and workshops, as well.

Just when you thought Shakespeare was sounding a little, well, dated, enter the Actors’ Gang. Each summer, the Culver City theater spins a different play from the Bard into a high-energy, family-friendly and free-to-attend production, often wrapped in an irreverent theme (think everything from Toy Story to Power Rangers). This time around, All’s Well That Ends Well gets an hour-long outer-space-meets-wild-west adaptation dubbed Roswell That Ends Well. You’ll find the play the first four weekends in August at Culver City’s Media Park.

Nature lovers, rejoice! Spend a day at the Natural History Museum’s Butterfly Pavilion, which will be open March 23 through August 24 and be home to up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. Tip: The prime time for these unique butterfly flight experiences is typically between 10am and 11am each morning.

Nobody’s film credits can compare to John Williams: Star Wars, E.T., Jurassic Park, Indiana Jones, Harry Potter and literally a hundred others. David Newman conducts the L.A. Phil as they tackle some of the composer’s iconic film scores set to a selection of movie clips. Though Williams used to appear (and conduct) in person for this series each year, so far the nonagenarian has yet to be added to the lineup.

Melrose Rooftop Theatre is on hiatus until the fall, but in the meantime the event deck on the E.P. & L.P. rooftop is hosting this open-air roller rink. The rooftop rink is a 21+ affair, serving up cocktails, appetizers and some of the best views in the city. Tickets are available in one-hour time slots and include skate rentals and a drink—a VIP option with a plate of nachos is also available, as is a pricier date night package, which comes with a three-course meal from E.P & L.P.

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...