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  1. Photograph: Courtesy Gagosian Gallery
    Photograph: Courtesy Gagosian Gallery

    Richard Phillips, First Point, 2012

    Richard Phillips
    Gagosian Gallery
    , through Oct 20
    In his latest show, Richard Phillips has graduated from appropriating imagery of models and actresses for his paintings to producing his own films, starring such luminaries as Lindsay Lohan and Sasha Grey, then using stills from them.

  2. Photograph: Courtesy Michael Werner
    Photograph: Courtesy Michael Werner

    Ernst Wilhelm Nay, Blue Diaphan, 1965

    Ernst Wilhelm Nay
    Michael Werner, through Oct 27 + Mary Boone Gallery (57th Street area + Chelsea locations), through Oct 6
    This three-gallery survey at Michael Werner’s and Mary Boone’s spaces, both uptown and down, focuses on German postwar abstractionist Ernst Wilhelm Nay (1902–1968). As a young artist, he was influenced by the figurative Expressionism of Ernst Ludwig Kirchner, but in the years following World War II, his style evolved into a purely nonobjective one, distinguished by a bold use of color.

  3. Photograph: Courtesy Cheim & Read
    Photograph: Courtesy Cheim & Read

    Louise Fishman, Raft Of The Medusa, 2011

    Louise Fishman
    Cheim & Read, through Oct 27
    Many of Fishman’s large gestural abstractions on display here were created during a studio residency in Venice, and the use of blue and piled-up brushstrokes in the compositions reflects the artist’s impressions of that storied city.

  4. Photograph: Courtesy Paul Kasmin Gallery
    Photograph: Courtesy Paul Kasmin Gallery

    Erik Parker, Out of the Ark, 2012

    Erik Parker, “Bye Bye Babylon”
    Paul Kasmin Gallery, through Oct 13
    On view are new paintings featuring still lifes, beach scenes and views of impossibly lush foliage, all inspired by the jungle landscapes of the 19th-century self-taught painter Henri Rousseau.

  5. Photograph: Courtesy Lisa Cooley Gallery
    Photograph: Courtesy Lisa Cooley Gallery

    Alex Olson, Weave, 2012

    “Alex Olson: Palmist and Editor”
    Lisa Cooley, through Oct 14
    Surface, texture and the application of marks—these are some of the issues Olson explores in her abstract paintings, which are as much catalogs as they are compositions.

  6. Photograph: Courtesy Monya Rowe Gallery
    Photograph: Courtesy Monya Rowe Gallery

    Angela Dufresne, Pastoral With Prophet Boy and Lady Jockey Folk Singer, 2012

    Angela DuFresne, “Parlors and Pastorals”
    Monya Rowe Gallery, through Nov 10
    DuFresne’s very painterly, figure-populated landscapes seem to exist somewhere near the unlikely intersection of LeRoy Neiman and Neo Rauch.

  7. Photograph: Courtesy Mitchell-Innes & Nash
    Photograph: Courtesy Mitchell-Innes & Nash

    Chris Johanson, Window Painting #2, 2012

    Chris Johanson
    Mitchell-Innes & Nash Gallery, through Oct 20
    This West Coast artist’s brightly colored canvases have moved in recent years from an emphasis on naive-style figuration to a kind of abstraction that, at times, resembles outsider art.

  8. Photograph: Courtesy Gagosian Gallery
    Photograph: Courtesy Gagosian Gallery

    Karin Kneffel, Untitled, 2011

    Karin Kneffel
    Gagosian Gallery, through Oct 20
    This German painter creates a kind of photorealism, in which the layering of surface effects threatens to dissolve representation into abstraction.

  9. Photograph: Courtesy D'Amelio Gallery
    Photograph: Courtesy D'Amelio Gallery

    Monique van Genderen, Untitled, 2012

    Monique van Genderen
    D’Amelio Gallery, through Oct 20
    This solo show is the first in New York for this L.A. abstractionist whose approach to color, composition and paint-handling is as bold as it is elegant.

  10. Photograph: Courtesy Jack Shaiman Gallery
    Photograph: Courtesy Jack Shaiman Gallery

    Lynette Yiadom-Boakye, A Passion Like No Other, 2012

    Lynette Yiadom-Boakye, “All Manner of Needs”
    Jack Shainman Gallery, through Oct 13
    For her second solo show at this gallery, this Afro-British painter who calls London home presents more of her forays into what you might call fictional portraiture. Her images are of subjects who seem closely observed and fully captured by the artist, but who, in fact, are invented out of whole cloth (or more precisely, canvas).

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