Black and white was a bunch of racist shit. According to this film all white men are weak and gay and all black men are strong and virile. When the hell did this happen? Oh yea, it didn't.
New York movies: The 100 best films set in New York City
From King Kong's spire down to the scummiest subway tunnel, TONY ranks the definitive list of the 100 best New York movies: crime dramas, romantic comedies, documentaries and more.
Tue Jul 3 2012
New York movies: King of New York (1990)
New York movies: Metropolitan (1990)
New York movies: Shaft (1971)
New York movies: Wild Style (1983)
New York movies: Shame (2011)
New York movies: Midnight Cowboy (1969)
New York movies: West Side Story (1961)
New York movies: Once Upon a Time in America (1984)
New York movies: Mean Street (1973)
New York movies: The Naked City (1948)
New York movies: King of New York (1990)
Would-be Robin Hood Christopher Walken travels to all corners of the city to take out his competition in Abel Ferrara’s operatic crime epic, heading from the Plaza Hotel to Little Italy to Chinatown. He ends up where any true New Yorker dreads being stuck: Times Square.—Alison Willmore
A Princeton undergrad and self-proclaimed radical (Edward Clements) unwittingly falls into a circle of Upper East Siders during black-tie debutante party season—his crosstown address and “limited resources” notwithstanding. Prep auteur Whit Stillman delivers a deeply affectionate look at the collegiate insecurities and overeducated naïveté of Park Avenue high society.—Stephen Garrett
From Harlem to midtown to Greenwich Village, no one seems to have a finger on the pulse of the city like Richard Roundtree’s impossibly badass private eye in Gordon Parks’s blaxploitation classic. He’s a man whose loyalty shifts from faction to faction but always seems to belong, quietly, to New York.—Alison Willmore
Charlie Ahearn’s legendary docudrama captured onscreen as never before the worlds of hip-hop and graffiti, with appearances from Grandmaster Flash, Fab 5 Freddy, street artist Lee Quinones, break-dancers the Rock Steady Crew and more. It’s an unparalleled artifact of a tagging, popping and body-rocking era.—Alison Willmore
Never mind Michael Fassbender’s bollocks; the real nakedness in Steve McQueen’s portrait of a sex addict comes when our city’s pleasuredome facade is stripped away. It’s as much a portrait of post-9/11 NYC as it is of a broken man, encapsulated in a rendition of “New York, New York” that melds personal trauma and public anguish.—David Fear
John Schlesinger’s Oscar-winning drama not only offers a glimpse of the forty-deuce at its sleazy height; it captures the desperation of the hustlers and con men trying to survive in a city where everybody talks at you and nobody hears a word you say. Also, you might want to get outta Dustin Hoffman’s way—he’s walkin’ here!—David Fear
The majority of this musical tour de force—a modern-day take on Romeo and Juliet—was shot on a soundstage. Yet it still has a fierce City That Never Sleeps flavor, helped in no small part by the stunning on-location opening sequence in which two rival gangs tussle their way from West 68th Street to 110th Street.—Keith Uhlich
Sergio Leone’s epic mob drama recently received an upgrade, closer to its original 269-minute running time. Can it even be improved upon? The standout section remains Leone’s heartbreaking evocation of 1920s Jewish tenement life on the LES, starring a cast of kids. Wanna-be toughs roam cart-strewn streets, chow down on deli food and flirt with a preteen Jennifer Connelly.—Joshua Rothkopf
Raw and vital, Martin Scorsese’s early gangster tragedy portrays Little Italy as intimately lived-in, both a close community and a trap from which Harvey Keitel’s Charlie and best friend, salvation and destruction Johnny Boy (Robert De Niro) will never have enough momentum to escape.—Alison Willmore
“There are 8 million stories in the naked city,” but only one Jules Dassin classic—a shot-entirely-on-location police procedural that had the chutzpah to tell its tale on Gotham’s actual crammed sidewalks. Doubling as a travelogue, this noir thriller established a new benchmark for verisimilitude; the real stars are the streets of New York themselves.—David Fear
"The World of Henry Orient" in which two preppy private school girls stalk their crush - an increasingly irate concert pianist played by Peter Sellers - all over mid-60s midtown.
"Moscow on the Hudson" - Robin Williams as a Russian saxaphonist defector, with Maria Conchita Alonso, a Bloomingdales counter girl, and friends - early 1980s East Village and beyond, immigrants' story, romantic comedy, valentine to NYC, filled with the ups, downs, and ups of living here and being from somewhere else.
I completely agree with CyCC, "Moonstruck" should go without saying... And what about "Working Girl"? That movie should definitely have cracked the top 100.
Several of these movies could have been located in some other city without much change. But Prince of the City couldn't have been made in, or about, any other city. How can it not make the list?
"Juice" if it hasn't been mentioned is deserving of a mention. "Party Monster" really has to be able to crack the Top 100 at least. Club kids? Limelight? That's as 'New York' as New York got in the late 80s/early 90s.
"Street Scene" 1931 directed by King Vidor.....a one block stretch in the NYC, from dawn to night.."Dead End" 1936...shows life in NYC during the Depression and what it took to survive....Bogart is in this as a supporting role, he plsys a gangster who comes back to the neighborhood and finds his girl friend a hooker, hard to make clear in 1936 film censorship.....he is finally killed by Joel Mcrea, an other neighborhood kid who came back trying to make is as an architect
and btw, Taxi Driver may be a brilliant film but it does not summarize or even remotely encapsulate a particularly NY experience. This film is really about any city that exists the periphery of a normal city. These people and these situations come out at night, when it's dark, when everyone has gone home. And it happens everywhere. Even in the so called "nicer" cities. And btw, even if you ARE a 12 year old hooker, there aren't very many vets/cab drivers who are looking to liberate you. What you have in Taxi Driver is a story that's an extraordinary AMERICAN story about a wartorn, disoriented, displaced vet in need of such an extreme episode of such outrageous vengeance and violence, it gives him a justifiable and bloodsoaked gateway back to the living, to the norm.
I watched "Saturday Night Fever" last night on DVD. I first saw the film when I was in college and in my 20s. I am now 53 and still love this film. It has aged well and I saw it through much diferent eyes at age 53 than I did in college. A terrific story with a terrfic John Travolta.
Serpico? Pope of Greenwich Village? Basketball Diaries? Marathon Man? A Bronx Story? Get outta here!
Awesome list but my only complaint is that Rent isn't included. Even though it was mainly shot in San Francisco the movie captures New York and especially Alphabet city in a unique way. Also Nick and Nora's infinite playlist captures NY city nightlife extremely well
I think that Vanilla Sky should have a place in the classement, New York had a great influence on the movie.
There were some good choices on this list, but I was very disappointed by the low placement of "Requiem for a Dream" and complete lack of "The Basketball Diaries." Nobody sees the gritty nature of New York City like a heroin addict. And where exactly is "Se7en"? Tisk, tisk, although it's hard to do it right when you're making a list about the world's most iconic city.
For what is is worth, nearly all of The Crowd, aside from some preliminary establishing shots, was filmed in Los Angeles. Harold Lloyd's Speedy (1928) (Number 65) has dozens more NYC settings. You can read about Lloyd filming Speedy in New York in my book Silent Visions, and on my blog SilentLocations.Wordpress.com
I'd have liked to have seen "13 Conversations About One Thing" on this list. It had the bad luck of coming out when 9/11 tore the city apart.
New Jack City with Wesley Snipes, Ice T & Judd Nelson comes to mind as a great movie filmed in NYC!!!
How could you dare and ignore DIE HARD 3? Isn't this a typical movie for Manhattan? I love the scene with John McClane and Zeus meeting the first time in Harlem while John is carrying his "I hate ..." board! Reconsider, please!
Arthur (the original) and Moonstruck should definitely both be on that list as they are both great movies that are about specific cultures within NYC.
Terrible that three movies didn't make the great movies of New York ... Meet John Doe, The Seven-Ups, and Quick Change. All three have great true to New York scenes! None of which ever show scenes where you can tell they shot any of it in Hollywood!
scent of a woman, where is it ? who ranked this list? this is beyond trash. I dont want to live on this planet anymore.
Most of htese were pretty good choices, but picking the 1976 King Kong is a real letdown. Aside from the promise shown by a young actress named Jessica Lange in that rotten movie, that one was inexcusable. Thank the lord Peter Jackson revived the franchise with his later version.
Oh my goodness this is a crime against humanity. Manhattan should at LEAST be number two. The city is such a big part of that story there is no question that it is the most iconic New York City movie of the 20th Century.
I've seen most of these movies. Good list. A few things bug me (Man Push Cart over Chop Shop? No Royal Tenenbaums? Spider-Man 2? Half Nelson? ATCW Documentary?) My biggest issue, however, is that Die Hard with a Vengeance isn't included. Sure, it's not high brow cinema art, but it's a spectacle, it's fun, and it shows more of the 90s NYC than any other movie I've seen. And, IMO, it's one of the all-time great action films. Also, how about The Cruise?!!?!!?!!?!? Classic NYC romance in such an interesting way.
whoever things there are 24 movies that are set in NY that are better than Goodfellas has serious issues...
Is this supposed to represent the best movies filmed in New York, or movies that best exemplify New York. If it's the latter, a pair Adam Sandler movies, "Big Daddy," and "Mr. Deeds" would qualify.
And no "Panic in Needle Park." The more I look at this list, the more flaws I see. Expected, though, from JR. Can't Time Out find people who know more about film?
"The Hunger?" Does the author even realize that most of that film was shot in London because it was too expensive to shoot the whole thing here? Certainly films like "The Hospital" and "Beat Street" are more deserving of this list. I pretty much don't read anything JR writes or reviews, but figured I would check out as something as simple as a list.
No Eternal Sunshine of the Spotless Mind, Being John Malkovich, or Synecdoche, New York. Pretty much everything by Charlie Kaufman should be on this list.