Edinburgh Festivals 2015: theatre reviews

This review is from the Garrick Theatre in October 2022. ‘My Son’s A Queer’ has a run at the Edinburgh Fringe in August 2024. You’ll be hard-pressed to find a more joyous, life-affirming show in the West End right now than this one. Even its journey – via this year’s Edinburgh Fringe – into the bright lights of central London after debuting at the small Turbine Theatre in Battersea last year feels a little fairy-tale. Personally, as a gay man, there’s also something wonderful about seeing the word ‘Queer’ emblazoned so proudly above the venerable Garrick Theatre. This one-person show revolves around the amateur childhood stage productions of its charismatic and funny writer and performer Rob Madge. They talks to us from a set that functions as a heightened version of the Coventry front room we watch in grainy VHS footage on a screen above the stage. Through video snippets from the late 1990s and early 2000s, we see a very young Madge – a child star of West End mega-musicals ‘Les Misérables’ and ‘Mary Poppins’ – enlist their dad in homemade stagings of Disney films like ‘The Little Mermaid’. These clips – which Madge first released on the social media platforms where the non-binary actor and writer is a hugely popular presence – are, first off, extremely funny. They’ll resonate with anyone who’s dreamed of being a star in their living room. The little Madge is hilariously perfectionist, demanding that their dad endlessly repeat scenes, criticising line deliveries and dropping

This review is from London, July 2023. ‘The Smeds and the Smoos’ transfers to the 2024 Edinburgh Fringe. Kids’ theatre company Tall Stories has been touring its stage version of ‘The Gruffalo’ for over 20 years now – it’s almost the same age as Julia Donaldson and Axel Scheffler’s iconic picture book. Though the company has dipped its toes in other waters, there’s no denying that it has found a niche: the other shows in its current repertoire are a version of ‘Gruffalo’ sequel ‘The Gruffalo’s Child’ (returning to the West End this Christmas!), plus Donaldson and Scheffler’s much-loved ‘The Snail and the Whale’ and ‘The Smeds and the Smoos’. Directed by Toby Mitchell, latest show ‘The Smeds…’ has been knocking around in touring form for a year or so but finally makes its West End debut this summer. And it’s very charming, in a predictable way. Tall Stories is ruthlessly efficient at the whole ‘take a bedtime story that you can read in five minutes and stretch it to an hour’ thing. An opening reference to ‘2001: A Space Odyssey’ is a hoot, there are some nice songs from John Fiber and Andy Shaw, and Barney George’s sets and Yvonne Stone’s puppets do a decent job of channelling Scheffler’s eccentric, cuddly vision of space, as feuding tribes of aliens – the red Smeds and the blue Smoos – set out on a galactic odyssey to find their youngsters Bill and Janet, who have eloped together.  Though it can’t really compete in visual pizazz with the BBC’s recent animated version, it is pr