King's Theatre

King's Theatre

One of the city’s most historic performance spaces, which now hosts performances by the Scottish Opera and touring rock acts
  • Theatre
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Time Out says

Among Edinburgh’s best and biggest theatrical spaces, the Festival Theatre is unique in that it offers the best of multiple eras to its public. Opened as the Festival in 1994, it was constructed from the remains of the old Empire Palace Theatre, a hall that had been around since 1892, and which was known to locals as a variety and concert hall that had welcomed acts including Laurel and Hardy, Judy Garland, Morecambe and Wise and David Bowie over the decades. It also came complete with its own theatrical ghost story, with renowned illusionist The Great Lafayette having burned to death there during a performance in 1911.

Yet the old Empire was a rather ugly, red brick building, and when it came time to renovate it, the entire frontage was demolished to create a gleaming new glass-walled foyer. So while the internal, tiered theatre space remains in the classic style, the three-level foyer incorporates a bar on each level, with views across the city from the top floor and an all-day café bar on the ground floor called Th’eatrey. With the largest stage in Scotland, the Festival is an extremely versatile space, hosting touring musical productions, Edinburgh International Festival shows and low-key rock concerts (Elvis Costello and James Blunt have recently appeared). It’s also the Edinburgh home of Scottish Opera and Scottish Ballet.

Details

Address
2 Leven Street
Edinburgh
EH3 9LQ

What’s on

Angels in America

The legendary Internationaal Theater Amsterdam have been frequest guests at the Edinburgh International Festival over the last decade or so, often bringing over some revered deep cuts that Brit theatre hipsters are liable to have heard of but not actually seen. Ivo van Hove’s monumental five hour production of Tony Kushner’s hallucinatory AIDS epic Angels in America (to be fair, it’s both conventional parts rolled into one) has long has a formidable reputation and now it finally makes its UK debut at the 2026 EIF. It’s a radically minimalist reworking of Kushner’s ‘fantasia’ that centres on two people – former drag queen Prior and vindictive lawyer Roy Cohn – grappling with AIDS diagnoses, all set to a banging David Bowie soundtrack.
  • Experimental
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