Traverse Theatre. Edinburgh
Jeremy Abrahams

Traverse Theatre

One of Edinburgh’s best venues for new writing, which hosts well-programmed mini-festivals across a pair of stages
  • Theatre
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Time Out says

As a doyen on Edinburgh’s cultural scene, the Traverse Theatre (known locally as the Trav) recently celebrated 50 years of bringing cutting-edge theatre and award-winning playwrights and performers to its stages.

 A venue known for risk-taking and innovation, it’s little surprise that it began life in the ‘60s as a theatre club in a deserted brothel in Edinburgh’s Lawnmarket. Today, it resides on Cambridge Street, in a purpose-built two theatre space, in the city’s busy West End. Located near to the plush Royal Lyceum Theatre, and next door to the recently renovated Usher Hall, between them the trio offer up some of the city’s finest culture.

Embracing its role as Scotland’s new writing theatre, the Trav regularly commissions and develops new plays, or adaptations from contemporary playwrights. It’s continually at capacity during the Fringe, and throughout the rest of the year it flexes its creative muscles with similar force, presenting an array of specialist mini festivals and seasons. Dance fans will enjoy their Autumn Dance Festival, while youngsters will adore their roundly excellent Imaginate strand, and popular Manipulate Visual Theatre Festival.

The basement café bar is a good place to spot well-known actors, or simply enjoy the creative buzz that surrounds the place, with a decent wine list on offer. The food menu is a fairly basic selection of posh sandwiches, salads and baked tatties, but the portions are hearty and occasional specials generally filling. Upstairs, coffees, muffins and the like can be picked up from the small coffee shop at ground level, with a tasty cup of coffee coming courtesy of Edinburgh’s award-winning roasters, Artisan Roast.      

Details

Address
10
Cambridge Street
Edinburgh
EH1 2ED
Transport:
Rail: Edinburgh Haymarket

What’s on

Bog Witch

3 out of 5 stars
This review is from Soho Theatre Walthamstow in 2025. Bog Witch transfers to the Edinburgh Fring in August 2026. Bryony Kimmings has one heck of a fanbase: some big comedy names have played the 1,000-seater Soho Theatre Walthamstow since it opened in May, but none of them have mounted a two-and-a-half week run, as Kimmings has with new show Bog Witch. Still, if you’re unfamiliar with her, it wouldn’t be a shock: she hasn’t done a stage show in seven years, and she is ultimately a performance artist (whose only full-on mainstream achievement to date is co-writing seasonal Britflick Last Christmas).  Press-night audiences aren’t representative, of course, but unless Bog Witch is dead the rest of the run, the fans are real. And deserved. Last decade she was an enchanting, amusing and provocative regular presence on our stages, with a run of funny, inventive, deeply personal and visually arresting shows beginning with her breakthrough Sex Idiot (about her efforts to trace which former partner gave her chlamydia) through to I’m a Phoenix, Bitch (a mini-musical about post-natal depression). Bog Witch is quintessential Kimmings, using funny songs, fun costumes and unfiltered, matey honesty to describe the latest chapter in her life: living off grid after falling for Will, an eco-warrior. That said, Bog Witch is disarming in being more diaristic than narrowly focussed on the headline topic. As illustrated by Will Duke’s beautiful shadow puppet-like projections, it’s really about...
  • Experimental
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