The Lovebirds

Love Story (Arthur Hiller, 1970)

Before The Fault in Our Stars jerked a whole new generation's worth of tears, Love Story had the market in love-and-leukemia romantic tragedy cornered. If the movie has any faults, it's not in its stars: Ryan O'Neal and Ali MacGraw as the infatuated undergrads (at Harvard and Radcliffe College respectively) convey just the sort of doe-eyed, quick-witted charm that Erich Segal's sharp script demands. On the downside, the crew wrecked the Harvard lawns by blanketing them with fake snow, thus ushering in the university's draconian rules against allowing filming on campus. When pressed for an official apology the crew's spokesman is said to have replied, "Love means never having to say you're sorry."

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Boston movies: a cinematic study of 10 college-town characters

Forget gangsters and gun-toting revolutionaries—the best Boston movies are the ones that unfold on its college grounds.

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From gritty Southie to swanky Beacon Hill, fulcrum of the Revolution to bastion of sport, Boston juggles multiple identities—each of which has fired the imagination of filmmakers over the decades. Yet it's the city's mighty academic tradition, the sweeping quads and stately bricks of its college campuses, that have come to define its cinematic character above all. Even as Harvard's authorities continue to deny entry to film crews, the university remains a byword in cinema for "very brainy people," while MIT specifically designates "very brainy scientists." To celebrate this strand of Hub-set cinema, we take a look at ten of the best Boston movies through the prism of ten stock characters from the world of academia.

Have we missed any out? Assess our performance in the comments box below.

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