Film, Action and adventure
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Remaking a classic is a thankless, some would say pointless, task: you’d be hard pressed to find anyone outside of the production team who ever thought this reboot of Paul Verhoeven’s still flawless 1987 action movie was a good idea. But, to give director Jose Padilha and his scriptwriters their due, the new version goes out of its way to distance itself from the original. Junking Verhoeven’s sledgehammer satire and outrageous ultraviolence in favour of real-world politics and 12A thrills, this is a slicker, shinier, admittedly inferior affair. But with a strong cast, a roaring pace and at least one genuinely unforgettable scene, it’s by no means a write-off.

Joel Kinnaman is all cheekbones and chin as Alex Murphy, the straight-arrow police officer whose fatal wounding in the line of duty makes him a perfect fit for tech-baron Michael Keaton and scientist Gary Oldman’s latest attempt to create the perfect cybernetic law enforcer. But when Murphy wakes up in a lab stripped of all but his most vital organs, he – along with his adoring wife, played by Abbie Cornish – begins to question how much of the man is left inside this steel shell.

The film’s most notable weakness is its action sequences: the pace is too frenetic and the camera too shaky to hold the attention. The climax is particularly poor, involving a lot of running, shouting and blasting, then it’s over. But ‘RoboCop’ makes up for this deficiency in other areas. Its dedication to touching on tough questions – about will and self-determination, about drone warfare and necessary force, about the power of the media over public opinion – is admirable, and the script has a certain blunt wit. As for that one great scene: if you’ve ever felt sickened by those medical health warning images on cigarette packets, hold on to your lunch

By: Tom Huddleston


Release details

Release date: Friday February 7 2014
Duration: 121 mins

Cast and crew

Director: José Padilha
Cast: Gary Oldman
Samuel L Jackson
Joel Kinnaman

Average User Rating

3.3 / 5

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I understand why they had to re-make this, the sad thing is that it will act as a barrier to the younger generation seeing the original; which was 'original' and a lot more visceral. There are scenes in that original film that will stick with me to the grave, it really struck a chord. 

They tried to do too much here, I love Gary Oldman but just not the right casting I fear. Watch the original.  

Better than I expected but not as good as the original. As I left the cinema I could hear this whirring sound. Yes it was Joe Strummer spinning in his grave.

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"Remaking a classic is a thankless, some would say pointless, task"... I wonder, Mr. Huddleston, if you said the same when saw the new Batman trilogy by Chris Nolan.

I don't remember those words in your paragraphs related to Batman by Mr. Nolan.

I'm not sure, but it feels like if there was a hint of prejudice. After all, Jose Padilha is latinamerican.

By the way, this movie was a lot more than "running, shouting and blasting, then it’s over". But of course, I understand you... it's hard to see from an impartial point of view with a prejudice blindfold.