Sorry to Bother You

Film, Comedy
3 out of 5 stars
3 out of 5 stars
(4user reviews)
Sorry to Bother You

Time Out says

3 out of 5 stars

Funny, offbeat and, ultimately, boasting an idea or two too many, Boots Riley’s race satire is a wild ride.

Telemarketers aren’t really sorry to bother you and rapper-turned-writer/director Boots Riley surely isn’t sorry if anything in his debut feature rubs you up the wrong way. It’s an unabashed provocation, rife with the ambition and tonal messiness of a first film. Riley has something to say and about 50 different ways to say it, and he attempts to cram them all into one movie.

‘Sorry to Bother You’ isn’t subtle, starting with the name of its hero, Cassius ‘Cash’ Green (Lakeith Stanfield). The opening scenes burden Cash with problems: no money, living in his uncle’s garage, driving a junkheap of a car, lacking any marketable skills. But once he manages to land a gig at a telemarketing firm, the movie unveils its satirical edge when he finds success by employing his ‘white voice’ (actually overdubbed by David Cross). He’s soon climbing the corporate ladder at speed. While his underpaid co-workers foment a strike, Cash becomes upwardly mobile, enjoying the rewards and ignoring the corruption and accusations of selling out.

The satirical devil is in the odd, amusing details, through which Riley makes his points. By its end, ‘Sorry to Bother You’ spins into full-blown science-fiction, and if Riley never quite strikes the balance between his topical concerns and bizarre flights of fancy, his conviction is powerful. This wildly original effort leaves you looking forward to him developing a discipline to match his imagination. 

By: Michael Gingold



Release details

Release date:
Friday December 7 2018
105 mins

Cast and crew

Boots Riley
Boots Riley
Lakeith Stanfield
Tessa Thompson
Armie Hammer

Users say (4)

3 out of 5 stars

Average User Rating

3 / 5

Rating Breakdown

  • 5 star:0
  • 4 star:2
  • 3 star:0
  • 2 star:2
  • 1 star:0
1 person listening

Funny, full of good ideas and with great messages about race & class, I found this to be very enjoyable, with more than a little on-form Spike Lee about the way it has this conversation with you the viewer. Also with great turns from Danny Glover as his older co-worker, Armie Hammer as the coked-up  full-of-yuppie-crap uber-boss and a hysterical supervisory ensemble. Definitely worth your viewing while!

That notoriously difficult final act...I'm giving this 4 stars for the first two thirds of the movie - it's fresh, witty, funny, clever and stylishly done. The last third of the movie then gets a bit lost I'm afraid. Still, it's one of the funniest movies of the year. There is one scene in particular, where the hero is forced to rap by a baying crowd - because all black people can rap, of course - and the result is one of the funniest scenes in a movie I've seen for some time. Produced by the ever wonderful Forest Whitaker, this is definitely worth seeing, for its freshness if nothing else. 


Whether this is a race satire or not, it makes you scratch your head in puzzlement. It all begins relatively normally; man (Lakeisha Stanfield as Cassius 'Cash Green) gets job in telesales; is told to use a white voice rather than his own 'black voice' to improve and increase sales by fellow black colleague. Suddenly becomes very successful and quickly works his way up the promotion ladder. Is poached by another company who believe he will be hugely useful. They are secretly genetically engineering horse men with super strength and many horse features such as head and other appendages. Suddenly we are in the realms of sci-if and it all becomes rather ridiculous.


It starts off with a  promising fresh & enjoyable tale about our hero desperate for work, his employment as a telesales-man, & his subsequent rise to telesales-man stardom. The tale fails to develop, and disintegrates into a mad fantasy narrative which soon becomes irritating, and just too dumb.