A Time to Love and a Time to Die

Under the opening credits of Sirk's penultimate masterpiece, set during World War II and filmed on location in Germany, the camera rests on the branches of a tree, its blossom forced early by the heat of a nearby bomb blast. It is the perfect symbol for the love between John Gavin's German soldier on leave and a barely remembered childhood friend, Lilo Pulver: a love forced by the everyday facts of war. This superb adaptation of Erich Maria Remarque's novel rests on a painful symmetry between the scenes at the Russian front and the central section in the half-ruined home town, and on a typically tough-minded acknowledgment of the irony that the doomed romance exists not in spite of the war, but because of it.