Teo Gutierrez Moreno, left, and Ernesto Alterio in Clandestine Childhood
Teo Gutierrez Moreno, left, and Ernesto Alterio in Clandestine Childhood
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Review

Clandestine Childhood

3 out of 5 stars
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Time Out says

Most coming-of-age movies don’t open with the prepubescent protagonist’s mom and dad getting into a cartoon gunfight in the street—then again, there are lots of unusual touches in Argentine filmmaker Benjamin Ávila’s feature. Blessed with old-school pedigree (producer Luis Puenzo made the Oscar-winner The Official Story) This ’70s-set story of a boy (Teo Gutiérrez Romero) and his exiled revolutionary parents returning home on the sly follows a well-trod path of viewing history through a child’s eyes. But the way the director throws in offbeat elements—animation, a Moonrise Kingdom–ish interlude in the woods, surreal dream sequences—without diluting the Dirty War drama is impressive. If such outré flourishes don’t fully lift the story past the limitations of innocence-lost storytelling, they do suggest Ávila is an artist worth keeping an eye on.

Follow David Fear on Twitter: @davidlfear

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