Sometime this century, somewhere in Europe: Jakob von Gunten (Rylance) enrols at the Institute Benjamenta, a run-down edifice headed by an eccentric tyrant (John) and dedicated to the training of suitably unambitious, humble servants. Though Jakob readily submits to the repetitive regime of incredibly banal lessons in servility, he begins to wonder whether he might be sufficiently princely to rescue his melancholy tutor, Benjamenta's sister Lisa (Krige), from the suffocating half-life she leads inside the school's sinister, shadowy walls. Inspired by the writings of Swiss novelist Robert Walser, the first feature from the Brothers Quay is as outlandishly beautiful, bizarre, mysterious and inventive as one might expect; more surprising, perhaps, given their history as animators specialising in puppetry and rather abstract metaphor, is the firm grasp of narrative and the intense performances elicited from a strong international cast. Overall, the film can be seen as a (finally subversive) variation on traditional fairytale motifs, as an allegory on our progress through - as an alternative title would have it - 'This Dream People Call Human Life', or as a loving tribute to cinema's fantastic capacity for poetry. Genuinely unsettling.