An early attempt at the theme of an encounter with benign but awe-inspiring aliens. The script (nominally from Ray Bradbury's story The Meteor) rattles through all the formulary clichés: an amateur astronomer who 'understands', a belligerent sheriff, a woman used as a pawn. But seen in its original 3-D, it's clear that Arnold's direction gives it more than a passing lift. He isn't much good with his second-rate cast, but his compositions in depth are consistently interesting, and his sparing use of special effects keeps the level of visual interest high. The 3-D process leaves the image somewhat murky, but you can discern sparks of authentic pulp poetry throughout.