M Legrand (Simon), a mild-mannered, middle-aged cashier, uses painting as a means of expression, of escape from his shrewish wife and the tedium of his job. After an accidental encounter with femme fatale Lulu (Marèze), he falls madly in love, setting her up in a flat which he fills with his paintings. Lulu, who loves only her pimp Dédé (Flamant), uses Legrand as a milch-cow, and when his money runs short, starts selling his paintings as her own (with the Sunday painter ironically unaware that his work is now much sought after). Freeing himself finally from his wife, Legrand arrives at the flat, only to realise that Lulu is still bedding Dédé... Renoir's first great talkie has been described as 'an insignificant little melodrama, given unexpected vigour and depth by a sense of momentary occasion in the filming'. That is, a glorious experiment in, and exploration of, the nature of cinema. Wonderfully moving, with great performances. Remade by Fritz Lang as Scarlet Street.