By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Les Equilibristes
Film
Advertising
Time Out says
Based on an episode in the life of Jean Genet - but possessing none of the depth of play with sex and power in his writing - this features Piccoli as a supposedly great poet, playwright and all-round manipulator who falls for a young German-Algerian sweeper-up at the circus (Dadi), and resolves to make him a great tightrope- walker. Needless to say, the young man is soon tossed aside for a sexy would-be racing driver, and retreats for histrionic hair-tearing sessions with his beer-sodden mother. Ludicrously overwrought, and with a positively 19th-century notion of gay sex - all ageing Svengalis and gamy young Ganymedes - this wears its symbolism heavily, to say the least; and worst of all, it's stultifyingly dull, right up to the daft apocalyptic climax. Polly Walker, as Piccoli's confidante and 'cock-catcher', is mysteriously got up as a dead ringer for Grace Kelly.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!