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Having written the book for the Broadway musical based on Al Capp's comic strip featuring the hillbilly world of Dogpatch USA, Panama and Frank did it little service here with a flaccid script, even more flaccid direction, and choreography merely 'based' on Michael Kidd's original. The script, with the inhabitants shaggy-doggily resisting a plan to turn Dogpatch into an atomic testing site, could do with a nuclear blast to liven it up; but the casting is excellent, and the marvellous Johnny Mercer/Gene de Paul songs survive intact.
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