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Time Out says
Sharp-witted young actors, especially those willing to come off as supreme
assholes, are rare gems. So it's thrilling to see Topher Grace, having
established a bland but profitable home on That '70s Show, return to the
acrid wit that singed his scenes in Traffic. Here, he's a superconfident
New York art-school applicant—and before we even see those devilish eyebrows,
he's effortlessly turning the tables on Laura Linney's blinking admissions
officer, cooing subtly inappropriate come-ons over the phone. Sadly for us, the
affair turns sappy; Dylan Kidd's follow-up to his vitriolic debut, Roger
Dodger, isn't quite a sophomore slump—maybe just a slouch—but it's still a
disappointment.
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