Mulvey and Wollen's film opens with a mime performance of Kleist's play about the Queen of the Amazons, and then proceeds through a suite of four further sequences designed to tease out some of the main implications in this opening 'statement'. Feminist issues loom large, not surprisingly, but the film embraces many other things, from Kleist's bizarre personal history to the way an actor feels in assuming a role. It's constructed as an exploration of relationships, real or potential, rather than as an argument or a single line of thought: it's interested in the link that may exist between a Greek vase-painting of a warrior woman and the Suffragettes, or, more formally, between a specific sound and a specific image. As such, it's a kind of scrapbook with a polemic kick. And it's also something of a milestone in dragging the moribund British cinema into an era long inhabited by Godard and Straub.