Time Out says
You have to admire the veteran’s energy. Much of the action here is staged against beautifully designed lithographic backdrops – think Syberberg on LSD – with Yonezo Maeda’s swooping camera often descending from the gods like in a Busby Berkeley musical. Kabuki and Noh theatre vies with rock’n’roll musical and rap opera; balletic mise-en-scène with camp Jarmanesque anachronisms as medieval court figures fight and make out with mythic beasts, shape-shifting spirits and demons.
The kitsch spectacle of ‘Princess Raccoon’ dazzles the eye, though the emotions are little engaged, while the intellect gets slowly frazzled.
Cast and crew