Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Get us in your inbox
Sign up to our newsletter for the latest and greatest from your city and beyond
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Based on a screenplay by Dylan Thomas, this thinly disguised story of the notorious 'resurrectionists' Burke and Hare, supplying freshly killed bodies to a Victorian surgeon, comes across as watered-down Hammer Gothic, complete with trite metaphysical meditations. The depiction of the huddled Victorian whores, hags, beggars, drunks, idiots and street-pedlars forever rhubarbing in the grimy gloom is risible. The cast is as wooden as the three admittedly elegant studio sets. Twiggy's Cockney prostitute takes the Golden Stiff Award for sheer ineptitude, but surely even she didn't deserve the random, irrelevant inclusion of her tuneless tavern song spot?
Advertising
Been there, done that? Think again, my friend.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!