By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The Real Blonde
Film
Advertising
Time Out says
This attempt at combining satirical comedy with deeply felt emotional drama is only fitfully successful. One minute, he's mocking the inanities of the New York film, fashion and music industries. The next, he's scratching over the relationship between his antagonists, struggling actor Modine and make-up artist Keener, with Bergman-like intensity. There are some wonderful moments along the way - Keener beating up her martial arts tutor (Leary) or Modine as a pimpled, white-skinned extra in a Madonna video. Caulfield is sardonic and funny as the louche young seducer/soap opera star who shrivels up when he has the chance to make love with a real blonde (Hannah). Modine is enjoyably sanctimonious as the Arthur Miller-spouting young thesp, but, bizarrely, director DiCillo, while mocking everybody else, seems to take him at face value.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!