By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Trapped
Film
Advertising
Time Out says
The familiar stern scoutmaster of a commentator asserts the omnipotence of the US Treasury Dept then, having got that out of the way, the movie proceeds to cases. Bridges, aggressively seedy, busts out of jail aiming to retrieve his counterfeiting plates, unaware that the T-men are watching his every move. The ensuing series of table-turnings and reversals of fortune is agreeably unpredictable, with a full measure of prevailing visual motifs: plots hatched in dimly lit apartments, guys in trilbies ascending ominous stairways, and violence in picturesque settings, notably the climactic shoot-out in a tramcar garage. For perhaps the only time in his career John Hoyt, usually a minor henchman, got to play the hero.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!