On the surface, an unassuming, low-key study of a ménage à trois that never really takes off physically; dig deeper, however, and it's filled with dark, disturbing emotions and unsettling power-games. Stéphane (Auteuil) and Maxime (Dussollier) are old friends and partners in a violin-making business; Camille (Béart) is a concert violinist and Maxime's lover, who comes increasingly to dominate the taciturn Stéphane's thoughts. As time passes, while she seems to respond to his apparent interest in her, he remains reticent: out of shyness, loyalty to Maxime, or something more perverse? What distinguishes the film is that Sautet and his excellent trio of leads manage to convey complex emotional nuances without resorting to explicit dialogue, plot contrivance, or hackneyed visual metaphor. Everything is underplayed, made manifest through subtle glances, brief but pregnant silences, the rhythms of the editing, the moody qualities of the lighting, and the occasional bursts of Ravel played by Camille. There's not an ounce of fat on this deceptively quiet movie, which at times achieves a real sense of pain and confusion.