Held at the Nakanoshima Museum of Art, Osaka until March 8, this ambitious exhibition reconsiders surrealism as a far-reaching cultural force that has reshaped both art and everyday life.
Defined by André Breton in 1924 as a practice grounded in the ‘omnipotence of dreams’ and the pursuit of a ‘superior reality’, surrealism drew deeply on Freudian psychoanalysis to unlock the subconscious. While its dreamlike imagery and unsettling juxtapositions are widely recognised in painting and photography, the exhibition reveals how surrealist thinking extended far beyond the gallery, infiltrating advertising, fashion and interior design.
Organised into six thematic sections, the show traces the movement’s expansion across media, examining how techniques such as automatism, collage and dépaysement (‘disorientation’) transformed both visual culture and lived environments.
Masterpieces by leading figures of the genre, including Salvador Dalí, Max Ernst, René Magritte, Man Ray and Giorgio de Chirico, are shown alongside rare objects, posters, photographs and design works. Highlights include Magritte’s ‘The Museum of the King’, Elsa Schiaparelli’s iconic fashion designs, and striking examples of surrealist advertising and interiors. Drawing on major collections throughout Japan, the exhibition offers a timely reappraisal of surrealism’s enduring power to unsettle reality – and reimagine it.
Note: this exhibition is closed on Mondays (except January 12 and February 23), December 30–January 1, January 13, and February 24.

