Philadelphia Museum of Art permanent collections
This diptych happens to be the museum director Timothy Rub’s favorite painting. It’s notable for the intensity and pathos depicted, the elegant, stark composition and spiritual energy.
One of the most popular stops in the museum, the Von Kienbusch collection is housed in a special suite of galleries. The formidable collection amassed by the New York businessman and philanthropist includes all manner of weaponry, full armor and equestrian equipment.
This violent Baroque masterpiece by this duo of Flemish painters—Snyders painting the bird—depicts the scene from Greek mythology of Prometheus’s liver being devoured by an eagle. The impressively dynamic painting radiates the torture and ferocity of the myth.
This darkened room’s power to transport its viewers back to Ming Dynasty China is impressive, and the hall is the only one of its type existing outside of China. Built by Wang Cheng’en, a eunuch serving the last Ming emperor, the room has a soaring thirty-four foot ceiling, lacquered beams and brackets and a raised lacquered bed. Don’t miss the adorable Qing Dynasty dog cage and crystal ball.
Filled with dynamism and bursting with light and a palette of blues and pinks, this spirited painting marks French painter Noel-Nicolas Coypel’s leap into the Rococo period. The contrast between classical panting technique and lively subject matter makes this depiction of the Greek myth a standout. It was brought to Philadelphia by Napoleon’s brother, Joseph, and given to our city’s General Thomas Cadwalader.
Charles Willson Peale was the aspiring patriarch of this Philadelphia family of artists and naturalists. So committed to the arts, Peale named four of his children after favorite artists: Rembrandt, Raphaelle (he changed the spelling), Titian and Rubens. This museum favorite is a masterpiece of illusion painting with the picture contained in a wooden frame with a step that matches up with the staircase depicted in the painting that two Peale sons ascend.
This monumental painting by Eakins, a Philadelphian, depicting the renowned Dr. Gross performing surgery at Jefferson Medical College was shocking in its day for its graphic content and naturalism. This blood-splattered surgical scene brilliantly combines modern realism with techniques of the great masters.
Pierre-Auguste Renoir described this canvas of nude women as his “masterwork.” It has been described as a crisis of intention, though, as he rejects forward-thinking Impressionism, and instead uses traditional painting techniques to create a timeless beauty of classical subject matter.
Vincent Van Gogh became obsessed with sunflowers and painted this still life while in Arles. Seven versions still exist, and it’s unknown whether this is one that he painted before the Paul Gaugin visit that ended with the Dutchman’s ear mutilation or one made afterwards.
Situated majestically atop the Great Hall staircase, Augustus Saint-Gaudens’s sculpture of the goddess Diana was originally mounted during the Gilded Age above New York City’s Madison Square Garden. The Museum acquired the 13-foot gilded statue in 1932 and restored its dazzling gold leaf finish in 2013-4.