Sally Lewis

Mother-daughter relationships can be complicated even under the best of circumstances. When you add adoption, a language barrier, and years of estrangement into the mix – well, you get more baggage than a flight from Sydney to Seoul.  You may be familiar with Michelle Lim Davidson from both the stage (The Feather in the Web) and screen (The Newsreader, Utopia, Play School). In Koreaboo, her moving playwriting debut presented by Griffin Theatre Company in association with Belvoir St Theatre, Davidson draws on her own life to investigate the complexities of intercountry adoption, and the precarious experience shared by many adopted children – living caught between two very different cultures, but feeling like they belong to neither.  Davidson plays Hannah, a 30-something-year-old woman who was adopted from Korea as a baby and grew up in Newcastle. After a break-up, she travels to Korea to spend time with her biological mother, Umma (Heather Jeong). Hannah’s plan is to spend time getting to know the woman whose love she’s longed for since before she can remember. She offers to help Umma at the family’s convenience mart, and Umma reluctantly agrees. It’s not until they discover a shared love of K-pop and performing that Umma’s walls start falling down, and Hannah really gets to know her Sex-and-the-City-quoting, Turtle-Chip-eating Umma.  Jeong portrays the cheeky, sassy, larger-than-life Umma with apparent ease, and her command of movement, language and voice is a strong counter