Camp X-Ray

Movies, Drama
  • 2 out of 5 stars
  • 2 out of 5 stars
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Camp X-Ray

Kristen Stewart leads with her chin in Camp X-Ray—and she’s not just jutting it out in her glum-girl pose. In this vehicle’s first few minutes, Stewart’s character, Cole, a soldier and recent transfer to the high-security cell block at Gitmo, actually gets elbowed in the face by a howling detainee. A spot of blood forms on her lip, but the jaw stays firm. Strenuously, writer-director Peter Sattler wants us to know his star can take a hit, even as the camera lingers on Cole tightening her hair bun and reining in her feelings.

Nonetheless, those feelings come into play as Cole bonds, initially against her will, with chatty Ali (Peyman Moaadi), an eight-year prisoner frustrated by the library cart’s lack of the final Harry Potter book. Just as you’re reeling from the tackiness of the premise, set within such an explosive context, the plot doubles down on it: Ali starts calling Cole “Blondie” (don’t ask), and she tells him to “cut the Hannibal Lecter shit.” That’s exactly where things are headed, though, and you cringe at the banter yet to come.

Aside from incidents of feces-hurling and a hunger strike included to remind viewers they are, indeed, watching a human-rights drama, Camp X-Ray attempts to shade the situation with a poundingly obvious countervillain (Lane Garrison), Cole’s superior, a sexual predator whose advances during the off-time are rebuffed. He then tries to humiliate both Cole and her new Arab friend, Abu Ghraib–style. Who, exactly, are the animals here? It ain’t a deep movie.

As seen in 2011’s A Separation, Moaadi is naturally magnetic, lending his tortured monologues more dignity than they deserve. And truthfully, Stewart isn’t half bad—if you forget about Adventureland and the wider range she once displayed. Do these performances balance out a scenario that feels written by a politically outraged 12-year-old? When the chat turns to a metaphorical lion at the zoo, you’ll wish you were back with the teen vampires.

Follow Joshua Rothkopf on Twitter: @joshrothkopf

By: Joshua Rothkopf


Release details

Rated: R
Release date: Friday October 17 2014
Duration: 117 mins

Cast and crew

Director: Peter Sattler
Screenwriter: Peter Sattler
Cast: Kristen Stewart
Peyman Moaadi
John Carroll Lynch
Lane Garrison

Average User Rating

2 / 5

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Morgan L

Lost in the Netflix Abyss, I came across Kristen Stewart's face in an Army uniform and was intrigued. From first glimpse of the synopsis, I thought that this movie had potential to keep my interest as well as possibly pull a few heartstrings. 

This movie was decent, but definitely glad that I did not pay to see it. While I enjoyed the movie, the plot seemed to be slow, and lack focus to keep my full interest. Points of the movie seem to be off-track, where I see what point was trying to be made, but these issues that come up seem to trail off and are not mentioned much further in the movie.

I disagree with Carrollsfeet's review, where I see that it actually DID seem to dwell on the fact that Kristen is challenged with being one of the few women on a man’s-island in much of the movie. I feel that this, however, may have been necessary to show her internal conflict with treating these detainees less than human/ trying to distance herself from the detainees.

The film tended to through me into deep questioning of what the detainee did, and if in fact he was really guilty. However, this is really never resolved. And that left me with a bit of anxiety. 

In the end, this movie was a nice reminder that everyone's "human" and one can often find "good" in others regardless of the current situation or of the past.


This Sundance 2015 film chronicles a young cadet’s experience (played by Kristen Stewart) guarding a detainee at Guantanamo Bay.  The monotonous routine is interrupted when she meets and connects with one of the detainees with a determined need for human contact.  Kristen Stewart gives her usual tight-jawed performance, which in this case was militarily-appropriate.

What was truly remarkable about this film was the performance by newcomer Peyman Moaadi.  His talent eclipsed any low-budget shortcomings (of which there were few).  The intensity of his desperation was palpable without ever feeling pathetic.  Moaadi is an actor with huge potential – with any hope he doesn’t get type-cast as “a terrorist”.

As most indie films usually are, Camp X-Ray was written, directed and produced by the same person (Peter Sattler).  His work is commendable because he executed it with a poker face: the film didn’t take a political stance.  Trapped in a cyclical Catch-22, the hopelessness of the situation was apparent, but Sattler never resorted to sympathetic or depressive tactics.  Nor did it dwell on the fact that Kristen is challenged with being one of the few women on a man’s-island.

Ultimately, Camp X-Ray is a film about humanity.  About how people want to connect to one another and how something as simple as Harry Potter can be the thread that reminds us that we are all woven together.