1. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  2. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  3. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  4. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  5. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  6. The Barbican theatre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  7. Barbican theatre's stage (Rob Greig for Time Out)
    Rob Greig for Time Out
  8. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  9. The Barbican  (Nigel Tradewell for Time Out)
    Nigel Tradewell for Time Out
  10. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  11. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out

Barbican Centre

  • Cinemas
  • Barbican
  • Recommended
Alex Sims
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Time Out says

What is it? 

The Barbican Centre lures fans of serious culture into a labyrinthine arts complex, part of a vast concrete estate that also includes 2,000 highly coveted flats and innumerable concrete walkways. It's a prime example of brutalist architecture, softened a little by time and some rectangular ponds housing friendly resident ducks.

The focus is on world-class arts programming, taking in pretty much every imaginable genre. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO), which revels in the immaculately tuned acoustics of the Barbican's concert hall. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. The Royal Shakespeare Company stages its London seasons here, alongside the annual BITE programme (Barbican International Theatre Events), which cherry-picks exciting and eclectic theatre companies from around the globe. There's a similarly international offering of ballet and contemporary dance shows. And there's also a cinema, with a sophisticated programme that puts on regular film festivals based around far-flung countries or undersung directors. 

As if that wasn't enough, the Barbican Centre is also home to three restaurants, a public library, and some practice pianos. This cultural smorgasbord is all funded and managed by the City of London Corporation, which sends some of the finance industry's considerable profits its way. It's been in operation since 1982; its uncompromising brutalist aesthetic and sometimes hard-to-navigate, multi-level structure were initially controversial, but it's getting increasingly popular with architecture fans and Instagrammers alike.

Why go? 

As the UK's leading international arts centre, this is the place to get cultured.

Don’t miss: 

The huge, succulent-filled Barbican conservatory is a must-see on your London bucket list. It’s one of the biggest greenhouses in London, second only to Kew Gardens and houses 2,000 plant species, including towering palms and ferns, across an extensive series of concrete terraces and beds. There are even koi carp and terrapins. The atmosphere is almost post-apocalyptically peaceful. It’s open on Sunday and bank holiday Monday afternoons, as well as selected Saturdays. You can even book in for an afternoon tea among the plants. 

When to visit: 

Mon-Friday 8am11pm, Sat-Sun 9am11pm

Ticketing info: 

Free entry, some events and exhibitions are ticketed. 

Time Out tip: 

If I had a pound for every time I’ve tried and failed to find the entrance to the Barbican Centre among its maze of concrete walkways… If you don’t want to risk being late for the performance you’re seeing, look up the entrance you need in advance. Trust me. 

Find more culture in London and discover our guide to the very best things to do in London.

Details

Address
Beech Street
Barbican
London
EC2Y 8AE
Transport:
Tube: Barbican; Rail/Tube: Moorgate
Price:
Prices vary
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What’s on

Encounters: Giacometti x Huma Bhabha

4 out of 5 stars
Encounters: Giacometti x Huma Bhabha is on from May 8 until August 10 2025, followed by Mona Hatoum in September and Lynda Benglis in February 2026.  In the Barbican’s new, light-filled gallery, the City of London skyline provides a fitting backdrop for the tall, wiry works of Alberto Giacometti beside the hybrid, fragmented figures of Pakistani-American sculptor Huma Bhabha.  For ‘Encounters’, the Giacometti Foundation lent some of the Swiss artist’s most elemental figures for an exhibition that will evolve in the coming months with responses from other artists, including Palestinian artist Mona Hatoum and American sculptor Lynda Benglis. In the first of the three, Bhabha’s sculptures focus on the fragmented body – but where Giacometti’s figures are stretched and attenuated, expressing solitude and existential suffering, she fractures the human form more explicitly, tearing it apart. Though separated by decades – Giacometti shaped by postwar Europe and Bhabha by postcolonial trauma and global violence after 9/11 – their works share a profound interest in the aftermath of war and the psychological scars left behind, speaking to the bruised and battered bodies that exist beyond the immediate experience of conflict.  Bhabha fractures the human form more explicitly, tearing it apart The exhibition demands a slow and meditative engagement. As visitors move throughout, the sculptors’ works are arranged at shifting heights: frozen in mid-stride or suspended in stillness, some...

Dirty Looks: Desire and Decay in Fashion

4 out of 5 stars
To the layperson, high-fashion shows can be a source of confusion. Why would anyone spend thousands on a dress constructed entirely of razor blades, or a pair of decrepit shoes that have been deliberately sullied or even torched? Well, because sometimes creating unwearable garments is actually the point, thank you very much. And that’s exactly what the Barbican’s latest fashion exhibition illustrates.  From the controversial £1,400 Balenciaga destroyed trainers, to Jordanluca’s pee-soaked jeans, and dresses that have been pulled out of bogs, Dirty Looks peers at the muckier side of fashion design. Don’t expect immaculate gowns displayed solemnly in glass cases. This isn’t a historical look at haute couture, or a glossy advert for a fashion house concealed inside a gallery show. The exhibition, featuring more than 120 garments from designers including Maison Margiela, Alexander McQueen, Vivienne Westwood and Issey Miyake, takes a clever thematic approach to the philosophy of dirt within fashion, showing how ideas around industrialisation, colonisation, the body, and waste, can be illustrated on the runway.  One particularly icky room is dedicated to bodily fluids, showing artificially sweat and period-stained garb, others to food stains, pieces made with rubbish and to trompe l’oeil faux-grimy clothing.Stand-out pieces include a torn and muddy lace dress from Alexander McQueen’s controversial ‘Highland Rape’ collection, a creepy Miss Havisham-esque Comme des Garçons...
  • Design

K-Music Festival

Korean music isn’t just about K-pop and the return of K-Music Festival – now in its 12th year –will help you discover a whole range of the country’s diverse aural culture at iconic venues including the Barbican, the Southbank Centre, the Royal Albert Hall, and Kings Place. Highlights of this year’s programme include Seoul-based post-rock outfit Jambinai joining forces with the London Contemporary Orchestra for a one-off orchestral spectacle, composer Won Il delivering Dionysus Robot, an immersive piece merging sound, shamanic rhythm and drag, and genre-hopping quartet Gray by Silver bringing an idiosyncratic blend of contemporary, jazz and classical music incorporating Korean folk instruments to the Royal Albert Hall’s Late Night Jazz Series. Check out the full programme here. 
  • Music festivals

Lucy Raven: Rounds

The Curve gallery will be transformed with a kinetic light sculpture by Northern American video artist Lucy Raven. Ispired by rotating objects that use centrifugal force, Raven’s sculpture spins an electronic arm, sweeping light around an aluminium and concrete enclosure. Also on show will be her film Murderers Bar, which is the final part of her series The Drumfire. Through four moving images, Raven captures the the biggest dam removal and river restoration project in US history. A landscape in flux, videos show how the dam, the immense reservoir behind it, and the river now coursing through both, are transformed. Both works are a meditation on the cyclical violence, and unrelenting force, that were used in the formation of the Western United States.   
  • Contemporary art

Wendy & Peter Pan

3 out of 5 stars
Ella Hickson’s Wendy-centric RSC retelling of JM Barrie’s classic tale of lost boys, pirates, a ticking crocodile and perpetual childhood finally lands in London after premiering in Stratford-upon-Avon over a decade ago. However, some clunky characterisation and awkward modernisation mean that it never truly soars. Original director Jonathan Munby’s production is certainly visually sumptuous. From the vintage toy-filled nooks and crannies of the children’s nursery to the colourfully salvaged look of Neverland, Colin Richmond’s set is a playbox spilled delightfully across the stage. And Taiki Ueda’s video design of crashing waves and twinkling stars pattern atmospherically across the theatre as the children fly or fight Captain Hook. There’s also a bold directness to some of the changes that Hickson makes to the story. Here, Wendy and her brothers go with Peter to find the brother they ‘lost’ a year ago. Barrie’s tale of ageless children who had fallen out of their prams was always a ghost story beneath the fairy dust, with mortality haunting everyone from Hook to Wendy, being shot out of the sky. This version sets the emotional stakes high from the start.  It's also refreshing to see Wendy reject the role of ‘mother’ assigned unquestioningly to her by the Lost Boys, paralleled by her mother’s determination to forge her own life as a seamstress in scenes in early twentieth-century London. Unfortunately, Hannah Saxby only really has one note of stressed-out exasperation to...
  • Children's

Dirty Weekend (18+): Celebrating Fashion and Filth

Looking for a dirty weekend? The Barbican is going strictly 18+ for one weekend only. It’s all in honour of its big Autumn exhibition Dirty Looks: Desire and Decay in Fashion, which traces fashion’s obsession with all things dirty, grimy and messy. For this weekend of events, it’s dialling it up a notch and looking at how fashion is influenced by sex, sweat, protest, and pleasure through performances, talks, screenings, live art, and late-night club energy. HOWL, the queer rave and sexual wellness brand, will be putting on screenprinting workshops and speed dating nights, a new collaboration between artist Sophie Cundale and author Izabella Scott will take place in the Barbican Conservatory and foyer takeovers will range from an x-rated fashion show to a club night from Club Stamina championing trans-femme talent. 

Engruna Teatre: Univers

This sensory show from Catalunya is aimed at little ones aged zero to two and offers an immersive experience themed around the delicate balance of the universe, in which even the smallest object can create massive change. 
  • Children's

Twelfth Night

The RSC’s Christmas present to London is – once again – a Shakespeare play. And we’re not complaining: Prasanna Puwanarajah’s production of the much loved comedy of shifting identity Twelfth Night was a big hit in Stratford-upon-Avon earlier this year and now transfers to London with much of its original cast on board, including Freema Agyeman as Olivia and Sam West as Malvolio. It’s a song-filled production, with new music from Matt Maltese.
  • Shakespeare

Raymond Gubbay Christmas Festival

Classical music impresario Raymond Gubbay presents his annual handpicked selection of music for the festive season. Highlights include the Christmas carol singalong (Dec 20), Gustav Holsts’s The Planeys (Dec 27), Beethoven's Ninth (Dec 29), the music of Zimmer vs Williams, featuring scores from  ‘Star Wars’, ‘Jurassic Park’, ‘Pirates of the Caribbean’ and ‘Interstellar’(Dec 31), and the New Year's Day Proms. All set to take place in the Barbican's lovely hall, these musical picks are a classy, Christmassy way to spend an evening. 
  • Concerts

Encounters: Giacometti x Lynda Benglis

In the Barbican exhibition series  ‘Encounters: Giacometti’, living artists will showcase their art in response to the esteemed work of Alberto Giacometti, who passed away in 1966. The upcoming and final sculptor that will be in discussion with Giacometti will be American artist Lynda Benglis. She will present new and old pieces and her personal selection of Giacometti’s sculptures. Known for pouring hot pigmated latex onto the floor and letting it form into a solid structure, Benglis’ work is often colourful, abstract, and holds a mirror to society. 
  • Sculpture
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