1. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  2. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  3. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  4. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  5. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  6. The Barbican theatre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  7. Barbican theatre's stage (Rob Greig for Time Out)
    Rob Greig for Time Out
  8. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  9. The Barbican  (Nigel Tradewell for Time Out)
    Nigel Tradewell for Time Out
  10. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  11. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out

Barbican Centre

  • Cinemas
  • Barbican
  • Recommended
Alex Sims
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Time Out says

What is it? 

The Barbican Centre lures fans of serious culture into a labyrinthine arts complex, part of a vast concrete estate that also includes 2,000 highly coveted flats and innumerable concrete walkways. It's a prime example of brutalist architecture, softened a little by time and some rectangular ponds housing friendly resident ducks.

The focus is on world-class arts programming, taking in pretty much every imaginable genre. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO), which revels in the immaculately tuned acoustics of the Barbican's concert hall. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. The Royal Shakespeare Company stages its London seasons here, alongside the annual BITE programme (Barbican International Theatre Events), which cherry-picks exciting and eclectic theatre companies from around the globe. There's a similarly international offering of ballet and contemporary dance shows. And there's also a cinema, with a sophisticated programme that puts on regular film festivals based around far-flung countries or undersung directors. 

As if that wasn't enough, the Barbican Centre is also home to three restaurants, a public library, and some practice pianos. This cultural smorgasbord is all funded and managed by the City of London Corporation, which sends some of the finance industry's considerable profits its way. It's been in operation since 1982; its uncompromising brutalist aesthetic and sometimes hard-to-navigate, multi-level structure were initially controversial, but it's getting increasingly popular with architecture fans and Instagrammers alike.

Why go? 

As the UK's leading international arts centre, this is the place to get cultured.

Don’t miss: 

The huge, succulent-filled Barbican conservatory is a must-see on your London bucket list. It’s one of the biggest greenhouses in London, second only to Kew Gardens and houses 2,000 plant species, including towering palms and ferns, across an extensive series of concrete terraces and beds. There are even koi carp and terrapins. The atmosphere is almost post-apocalyptically peaceful. It’s open on Sunday and bank holiday Monday afternoons, as well as selected Saturdays. You can even book in for an afternoon tea among the plants. 

When to visit: 

Mon-Friday 8am11pm, Sat-Sun 9am11pm

Ticketing info: 

Free entry, some events and exhibitions are ticketed. 

Time Out tip: 

If I had a pound for every time I’ve tried and failed to find the entrance to the Barbican Centre among its maze of concrete walkways… If you don’t want to risk being late for the performance you’re seeing, look up the entrance you need in advance. Trust me. 

Find more culture in London and discover our guide to the very best things to do in London.

Details

Address
Beech Street
Barbican
London
EC2Y 8AE
Transport:
Tube: Barbican; Rail/Tube: Moorgate
Price:
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What’s on

Encounters: Giacometti x Huma Bhabha

4 out of 5 stars
Encounters: Giacometti x Huma Bhabha is on from May 8 until August 10 2025, followed by Mona Hatoum in September and Lynda Benglis in February 2026.  In the Barbican’s new, light-filled gallery, the City of London skyline provides a fitting backdrop for the tall, wiry works of Alberto Giacometti beside the hybrid, fragmented figures of Pakistani-American sculptor Huma Bhabha.  For ‘Encounters’, the Giacometti Foundation lent some of the Swiss artist’s most elemental figures for an exhibition that will evolve in the coming months with responses from other artists, including Palestinian artist Mona Hatoum and American sculptor Lynda Benglis. In the first of the three, Bhabha’s sculptures focus on the fragmented body – but where Giacometti’s figures are stretched and attenuated, expressing solitude and existential suffering, she fractures the human form more explicitly, tearing it apart. Though separated by decades – Giacometti shaped by postwar Europe and Bhabha by postcolonial trauma and global violence after 9/11 – their works share a profound interest in the aftermath of war and the psychological scars left behind, speaking to the bruised and battered bodies that exist beyond the immediate experience of conflict.  Bhabha fractures the human form more explicitly, tearing it apart The exhibition demands a slow and meditative engagement. As visitors move throughout, the sculptors’ works are arranged at shifting heights: frozen in mid-stride or suspended in stillness, some...

Julia Phillips: Inside, Before They Speak

The Barbican is celebrating 20 years of comissioning artists for The Curve in 2026. Chicago-based artist Julia Phillips will be the first to exhibit in the free space this year, with her first UK solo exhibition Inside, Before They Speak. Showing new sculptures that combine glazed ceramics sculpted on her body with metal hardware, Phillips explores ideas about the body, conception, technology and human connection. 
  • Sculpture

Encounters: Giacometti x Lynda Benglis

In the Barbican exhibition series  ‘Encounters: Giacometti’, living artists will showcase their art in response to the esteemed work of Alberto Giacometti, who passed away in 1966. The upcoming and final sculptor that will be in discussion with Giacometti will be American artist Lynda Benglis. She will present new and old pieces and her personal selection of Giacometti’s sculptures. Known for pouring hot pigmated latex onto the floor and letting it form into a solid structure, Benglis’ work is often colourful, abstract, and holds a mirror to society. 
  • Sculpture

Beatriz González

4 out of 5 stars
In a season of London exhibition openings dominated by major retrospectives of trailblazing female artists, the Barbican’s Beatriz González show is an extremely worthwhile addition. Known to many in her home country of Colombia as ‘La Maestra’, González is considered to be one of the most influential artists to come out of Latin America, and this vast collection of over 150 works spanning her six-decade-long career leaves you with no questions as to how she garnered such a reputation. Though she herself rejected the label, González has often been associated with the Pop Art movement, and there is a Warholian quality to much of her work, which uses images of figures from mainstream media and pop culture as subjects, ranging from Queen Elizabeth II to Jackie Onassis to Botticelli’s Venus. González paints these icons in a two-dimensional style, in typically bright, vibrant block colours that feel reminiscent of the Factory kingpin’s cartoon-like screen prints of Marilyn Monroe and Debbie Harry.  Where the painter distinguishes herself from Pop Art figuresheads is the often deeply political nature of her work, which she used to comment on and criticise the pervasive violence and corruption in her country. Her 1981 piece ‘Decoración de interiores (Interior Decoration)’ sends up then-president Julio César Turbay’s image of excess and frivolity in stark contrast to the violent regime he oversaw, portraying him at a lavish party. The work was originally printed on a strip of...
  • Pop art

Theatre for One

The Barbican’s main theatre is closed for refurbiushment at the moment, and an intriguing series of alternative projects have been programmed in the interim, including this Irish show masterminded by Christine Jones of Landmark Productions. Put bluntly, Theatre for One is a series of five-minute, one-actor plays that take place in a special booth that will be set up in the Barbican’s foyer. The plays are free, with the ‘catch’ (if you can call it that) being that you have to queue up and the actual play you watch will be randomised. There are some genuinely big names involved, with works by the likes of Enda Walsh, Marina Carr and Mark O'Rowe.
  • Drama

Young Barbican Takeover Festival

A festival curated by and made for London’s emerging creatives, the Young Barbican Takeover is a day jam-packed with workshops, live music, performances and talks all hoping to get your artistic juices flowing. Crochet and make zines with Craft Forward and Artizine; experience live music curated by Shai Space and Sad Club Records; learn how to start your own record label or publishing house with ARCCA; or take part in a breaking workshop with Rain Crew. There will also be an afternoon of film screenings curated by the Barbican Young Film Programmers alumni, with a programme that celebrates the African diaspora and women of colour. 

Chronic Youth Film Festival 2026

Entering its eleventh year in 2026, this annual two-day film festival at the Barbican is programmed entirely by young people aged 16 to 24 as part of the arts centre’s Young Film Programmers scheme. The free-to-attend, six-month talent development scheme sees the group determine the themes, film selections and connected public events. The programme for this year’s edition is yet to be revealed, but you can expect an eclectic schedule of films alongside poetry readings, panel discussions and DJ sets.
  • Film events

High Society

The Barbican scored a walloping post-pandemic hit with its revival of Cole Porter’s Anything Goes – which ran in 2021 and 2022 – and another one with his Kiss Me, Kate in 2024. For its 2026 summer musical slot it turns to another giddy Porter classic in the form of the stage adaptation of 1956’s High Society. As ever with Porter, the plot is almost entirely irrelevant but it revolves around a fancy Rhode Island society wedding that descends into chaos for various reasons.  Helen George from Call the Midwife stars as socialite Tracy Lord, with Felicity Kendall – who was also in Anything Goes – starring as her mum. The production is directed by Rachel Kavanaugh and choreographed by Anthony Van Laast.
  • Musicals

Death Note the Musical

This is a fun one: Death Note the Musical is an adaptation of the hit manga that tells the story of one Light Yagami, a brilliant student who is given a notebook by a capricious magical being. The book has one very specific function: anyone whose name is written in it will die within 40 seconds. The power goes to Light’s head, as he comes to see himself as a god tasked with eliminating evildoers from the planet. But the world’s governments hire a secretive detective – whose real name is unknown – to try and find the person responsible for the inexplicable deaths. It’s not your everyday story, that's for sure, but that goes for a lot of musicals, and you can actually kind of see it working. The original manga was written by Tsugumi Ohba and illustrated by Takeshi Obata; the musical is written by a Western team of Frank Wildhorn, Jack Murphy and Ivan Menchell. It has, however, had various Asian productions over the last decade, but this new one from director Stephen Whitson is easily its biggest Western outing to date.
  • Musicals
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