HMV Curzon Wimbledon

Wimbledon
Venue name: HMV Curzon Wimbledon
Contact:
Address: 23, The Broadway
Wimbledon
SW19 1QB
Transport: Tube: Wimbledon
  • Time Out says
    • 5 out of 5 stars
    A heady psychosexual drama that’s steeped in dense anxieties and rich European glamour (the film was part-funded by Chanel), French filmmaker Olivier Assayas’s latest sees him at the top of his game. Combining the professional paranoia of ‘All Abo...
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  • Time Out says
    • 3 out of 5 stars
    Enough with the feminism. Disney has clearly had enough of these uppity princesses getting all empowered and messing with their fairytales. After ‘Frozen’, and ‘Into the Woods’, it’s back to the basics of being a princess in director Kenneth Brana...
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  • Time Out says
    • 4 out of 5 stars
    Don’t be fooled by the fancy source material: ‘Far from the Madding Crowd’ may be adapted from Thomas Hardy’s nineteenth-century novel, but it’s still a movie that opens with Carey Mulligan on a pony as it gallops toward a rainbow. Set in a patch ...
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  • Time Out says
    • 4 out of 5 stars
    A perfect Swedish family’s skiing trip in the French Alps seems to be going just fine in Ruben Ostlund’s remarkably confident and subtle comedy, a film in which domesticity unravels deliciously. Apart from a little whingeing from the kids, everyon...
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  • Time Out says
    • 3 out of 5 stars
    After ten series on the BBC, Peter Firth’s MI5 crew get their own big-screen adventure, putting themselves in competition with the likes of the ‘Bourne’ and ‘Mission: Impossible’ franchises. That’s quite an ask, given the relatively modest resourc...
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  • Time Out says
    • 4 out of 5 stars
    The French actor Romain Duris has two major assets playing a closet cross-dresser in ‘The New Girlfriend’: a performance of such loveliness it might just make your heart burst and legs Posh would trade in Becks for. Duris plays young dad David, wh...
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  • Time Out says
    • 5 out of 5 stars
    The fourth instalment of George Miller’s punky post-apocalyptic ‘Mad Max’ saga feels like a tornado tearing through a tea party. In an age of weightless movie spectacles, here’s a movie that feels like it was made by kidnapping $150 million of stu...
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