Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of London straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
The second largest space within the sprawling Southbank Centre, the Queen Elizabeth Hall is where more prominent dance, music and performance events play out. QEH's brutalist architecture sits well with fellow venue the Hayward, both designed in the 1960s, and skaters have found a lively use for the vacant car park-like enclosure beneath it, turning it into a graffitied performance space.
Have you heard of the Milly Rock? It’s a viral dance created by the rapper 2 Milly that later became the subject of a lawsuit, when 2 Milly sued the videogame Fortnite for using his move. Now acclaimed choreographer Jeremy Nedd has taken this court case as inspiration for his new work from rock to rock, where five dancers will examine the Milly Rock and the nature of viral dances.
British-Polish choreographer Alex Baczyński-Jenkins explore queer desire, collectivity and ‘relationality’ – the theory of how people and things relate to each other. The whole performance is based around the simple box step – a movement that’s common in social dances, as dancers will repeat this move while be affected by live-mixed sound and light. This is a three-hour-long durational piece, and the audience is welcome to come and go as they please.
Contemporary and experimental
Advertising
Been there, done that? Think again, my friend.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!