Current exhibits at the Museum of Modern Art (MoMA)

See what exhibitions are currently on view at the Museum of Modern Art (MoMA) in New York City.

0

Comments

Add +

“Lygia Clark: The Abandonment of Art, 1948–1988”

  • Rated as: 5/5
  • Critics choice

This fascinating exhibition surveys the work of Brazilian avant-garde artist Lygia Clark (1920–1988), a central figure in Brazil’s short-lived Neo-Concrete movement of the late 1950s and early ’60s. The Neo-Concrete artists borrowed from European nonobjective painters such as Piet Mondrian and Kazimir Malevich, but rejected their rationalism in favor of a more poetical and phenomenological approach. Clark and her compatriots, such as Hélio Oitica and Lygia Pape, developed a peculiarly sensual variety of abstraction extending into social space. They would all eventually experiment with performance and interactive forms of art that have new currency today. For Clark, who eventually became a psychotherapist, this began as hinged artworks that could be folded into different shapes by the viewer. “Relational objects” worn by clients in her private therapeutic practice—such as headsets outfitted with shells that covered a person’s ears—followed. In Clark’s first retrospective in North America covers those developments and more, tracing the aritist’s career from her luminous early abstractions of the 1950s to her multi-sensory, participatory artworks of the 1970s. Organized chronologically, the show is divided into three parts, each representing a significant phase in her artistic development. Clark started out by studying painting in the late ’40s, including a stint in Paris under the tutelage of Fernand Léger. In the mid-1950s, she made her first major works: Puzzle-like paintings

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Sun Aug 24
More info

"Christopher Williams: The Production Line of Happiness"

  • Price band: 2/4
  • Critics choice

Like Robert Heinecken, Williams came out of the West Coast as a photographer who deconstructed his medium through unconventional methods. In Williams's case, this has meant employing commercial photographers to create his works, images that dispassionately dismantle the mystique of the darkroom, the photographer's studio and the camera itself. The results often have the burnished look of midcentury catalogs for photographic services and equipment.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Sun Nov 2
More info

"The Paris of Toulouse-Lautrec: Prints and Posters"

  • Price band: 2/4
  • Critics choice

MoMA takes viewers back to La Belle Époque in this survey of the graphic art of Henri de Toulouse-Lautrec (1864–1901), surely one of the best-known and beloved names in art history. All of his iconic images are here, along with the landmarks of late-19th-century Parisian nightlife referenced therein, as well as its habitués onstage and in the audience.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Wed Dec 31
More info

"Designing Modern Women 1890–1990"

  • Price band: 2/4
  • Critics choice

The contribution of women designers during the 20th century is the focus of this survey drawn from MoMA's collection. One highlight: a complete reconstructed kitchen originally created for Le Corbusier's midcentury Unité d'Habitation housing complex in Marseille, France, by Charlotte Perriand.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Wed Oct 1
More info

"Jasper Johns: Regrets"

  • Price band: 2/4
  • Critics choice

Painter Lucian Freud is the subject of this small gathering of Jasper Johns's latest works, which includes two paintings, two prints, four ink-on-plastic drawings and several pencil sketches. The view of Freud is derived from a black-and-white photo by British photographer John Deakin, one of a series used by yet another artist, Francis Bacon, to create his own portraits of Freud. As he sometimes has throughout his career, Johns utilizes a mirrored doubling of the image as a compositional effect, while transforming certain details of the photo—including its creases, tears and areas where the picture has been lost—into motifs that are repeated and reworked over successive iterations.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Mon Sep 1
More info

"A World of Its Own: Photographic Practices in the Studio"

  • Critics choice

Photography embraces many genres, both outdoors and in. But some of the most radical experiments in the medium have been created by artists operating within the confines of the studio—using it not only as a physical place in which to take pictures (or create them using cameraless techniques like the photogram), but also as a conceptual framework that, in many cases, dictates content. MoMA rounds up numerous examples in this fascinating survey, from the invention of the photograph to the present.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Sun Oct 5
More info

"Conceptions of Space: Recent Acquisitions in Contemporary Architecture"

  • Price band: 2/4
  • Critics choice

When most people think of architecture, they picture buildings from the outside. But an equally crucial aspect is formulating the interior space that people will move through and, hopefully, be moved by. This exhibit, which presents 20 recent acquisitions for MoMA's design collection, explores this vital discipline of spatial creation in the form of large-scale models, drawings, photographs, videos and installations.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Sun Oct 19
More info
  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Wed Aug 20 - Sun Aug 24
More info

"Henri Matisse: The Cut-Outs"

  • Price band: 2/4
  • Critics choice

It was rather late in life that Henri Matisse (1869–1954) began to create one of his most extraordinary bodies of work. Starting in the 1940s, he cut out shapes in colored paper, arranging them into compositions that sometimes seemed to push into pure abstraction. Even when they didn't, the forms he employed—nude figures, floral motifs—appeared to float in space, and it is this sense of buoyancy that makes these paintings among the most compelling in his oeuvre. MoMA's survey is the first to focus on this aspect of his career since 1961, and if anything, the works have only gained in power in the intervening years.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Sat Oct 25 - Wed Dec 31
More info

"Robert Gober: The Heart Is Not a Metaphor"

  • Price band: 2/4
  • Critics choice

This is the first U.S. survey ever of the work of Robert Gober, whose sculptures and installations imbue simple, everyday objects (sinks, doors, newspapers, sticks of butter, storm drains) and figurative fragments with an outsized sense of longing and nostalgia. Emerging in the mid-1980s alongside other artists— such as Jeff Koons—who were furthering Duchamp's Readymade strategy, Gober's efforts were notable for the unabashed manner in which they reintroduced sentiment and poetical feeling into late-20th century aesthetics.

  1. Museum of Modern Art (MoMA) 11 W 53rd St, between Fifth and Sixth Aves, 10019
  2. Sat Oct 4 - Wed Dec 31
More info
See all exhibits at the Museum of Modern Art (MoMA)


Users say

0 comments