Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of New York straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Mostly Other People Do the Killing has been on a tear in recent years, demonstrating anew why it's one of the most appealing jazz ensembles in town. Led by bassist Moppa Elliott, the local quartet has as much fun laying down a funky, whimsical groove as it does explodingform altogether, resulting in performances that feel at once anarchic and oddly wholesome. Last year, the group turned heads with its wildest endeavor yet, Blue—a note-for-note re-creation of Miles Davis's landmark Kind of Blue—and here it appears in the expanded lineup heard on 2013's vintage-flavored Red Hot. Also on board is a band led by baritone-sax progressive Charles Evans, and the promising trio of drummer Tomas Fujiwara, guitarist Mary Halvorson and saxist Briggan Krauss.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!