Although the institution has been around in some incarnation since 1971, the sprawling cement complex was only converted from its former state as a WPA building in 1986, and its four stages have been chock-full of experimental, politically conscious theater ever since. Many of the shows—albeit offbeat—are appropriate for children.
The Abstract Impressionist painter Franz Kline's desire to move beyond his signature (and lucrative) black-and-white style brings him into conflict with the powerful gallerist Sidney Janis in this colorful new play, set in the New York art scene of the late 1950s. The playwright is the Klines real-life nephew, Carl Kline (who met his uncle only once, a child). Joe John Battista directs a cast of eight.
More a full-fledged festival than a mere ball, this spirited event at Theater for the New City is celebrating its 50th anniversary this year. Costumes or formal wear are highly encouraged, and live performances and music contribute to this monster bash. The free outdoor events, from 3pm to 7pm, include a variety show, a children's costume competition and The Red and Black Masque, a short Medieval ritual show performed by torchlight at 7pm. The action then moves indoors through 11pm with 10-minute cabaret and vaudeville performances—by artists including acting legend Austin Pendleton, Fairy Tale Marionettes, TNC’s Street Theater Ensemble, fire juggler John Grimaldi, composer Peter Dizzoza and belly dancer Carol Tandava—as well as aerial dance, a scream contest and the annual Monsters and Miracles Costume Parade, which is judged for prizes. The swing orchestra Art Lillard's Heavenly Big Band (8pm–9:30pm) and Mr. Pablo's Latin Dance Band (10pm–11pm) help keep the ballroom rolling, and a mere $5 will buy you a full dinner and coffeehouse-style entertainment at the so-called Witches' Cauldron.
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