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The 50 best comic book movies of all time

Join director Edgar Wright and Time Out's film team as we count down the 50 best comic book movies, from superhero blockbusters to inventive indies

Written by
Andy Kryza
Written by
Tom Huddleston

Over the last decade and a half or so, it’s often seemed like comic book movies are the only movies being made anymore. And while it always made sense from a mega-studio business perspective, for a lot of film fans, that level of oversaturation (from both the Marvel Cinematic Universe and the DC Extended Universe) has bred exhaustion and more than a little cynicism – and there are signs that it’s finally starting to happen to mainstream movie audiences as well.

It’s a shame, really. Because when done right – and for reasons that aren’t just about keeping a cinematic cash-cow well fed – comic book movies rank among the most spectacular forms of escapist entertainment. But let’s not paint with a broad ink pen here. Sure, those that have dominated the box office across the last 10 years have frequently involved high-powered superheroes with IPs going back to the mid-20th century scrambling to save the world from the latest high-powered mega-villain. And many of them are totally awesome. But ‘comic book movie’ and ‘superhero movie’ aren’t always synonymous. Some deal with complex, real-world issues and emotions, with nary a cape in sight. Others use superhero mythology as a jumping off point for looking for the problems that plague modern society – or simply deconstruct that mythology all together.

In any case, comic book movies can do a lot more than just make millions of dollars. Here are 50 of the best, as selected by Time Out writers – with an assist from a guy who has made a few great ones himself, director Edgar Wright.

Written by Tom Huddleston, Adam Lee Davies, Paul Fairclough, David Jenkins, Andy P. Kryza, Phil de Semlyen, Alim Kheraj & Matthew Singer 


🦸 All the Marvel movies ranked from worst to best
🦄 The 50 best fantasy movies of all-time
💣 The best action movies of all-time
The 100 best animated movies of all-time

The 50 best comic book movies

300 (2006)
  • Film
  • Action and adventure

Director: Zack Snyder

Cast: Gerard Butler, Lena Headey

In 480BC, around 300 Spartans (plus countless doomed slaves, but let’s not quibble) really did hold off the entire Persian army – so adapting the incident into an action movie should’ve been a doddle. Sadly, barely a performance in 300 isn’t hamstrung by a one-note declamatory style or can overcome the limitations of a script that struggles to develop the source material. Amid the almost constant clash and thunder of battle/weather/man-hugging those faults are barely apparent, but in the film’s few quiet moments, actors, writers and director are left awkwardly exposed. PF

Kick-Ass (2010)
  • Film
  • Action and adventure

Director: Matthew Vaughn

Cast: Aaron Johnson, Chloe Grace Moretz, Nicolas Cage

Comic-movie fans love to feel a bit naughty – just witness the monumental success of the ‘daring’, ‘adult’ (read: sweary and blood-spattered) Deadpool. It all started with Kick-Ass, British director Matthew Vaughn’s knowing, foul-mouthed subversion of the genre in which Aaron Taylor-Johnson plays the hapless teenager who decides to transform himself into a superhero. Nicolas Cage wins MVP as the loveable Big Daddy, and the film could use a lot more of his winning, off-beam charm to counteract the air of bratty cynicism. TH

From Hell (2001)
  • Film
  • Horror

Directors: Albert and Allen Hughes

Cast: Johnny Depp, Heather Graham

The real Inspector Frederick Abberline, head of the Jack the Ripper investigation, was a faintly dull old duffer who retired to the seaside. From Hell author Alan Moore’s Inspector Abberline was a middle-aged, rather puritanical flatfoot. The Hughes brothers’s Abbeline is Johnny Depp crunked up on absinthe and opium, subject to hideous visions, troubled by the death of his wife and heading for an early grave – and all the better for it. Despite a contrived feel to the ‘happy’ ending, fans of Moore should feel well served by the overall miasma of grotty hopelessness that gives From Hell its faithful credibility. PF

Friday Foster (1975)

47. Friday Foster (1975)

Director: Arthur Marks

Cast: Pam Grier, Carl Weathers, Eartha Kitt

Foxy fashion photographer Friday finds herself in the frame after witnessing an assassination attempt in a decent Blaxploitation also-ran starring Pam Grier. Based on the syndicated comic strip – the first with an African-American female lead – it’s a heady mix of catwalk, political comment and balls-out action. But the knockout cast (which also includes Eartha Kitt and Scatman Crothers) do have their work cut out overcoming the minor-league stunts and unconvincing hepcat dialogue. ALD

  • Film
  • Science fiction

Directors: Gerald Potterton, Jimmy T Murakami et al

Inspired by the graphic art magazine of the same name, this animated sci-fi anthology feels more like an adaptation of a headbanger’s wet dreams: buxom warrior women, sword-wielding musclemen, interplanetary demons, graphic ultraviolence and an appropriately hard-rocking soundtrack. It’s almost like they stuck a hose into a teenage boy’s brain and syphoned the contents directly onto the screen. It’s one of those movies that probably couldn’t get made today without being wrapped in several layers of irony. Juvenilia aside, though, the hand-drawn animation – crafted by an international group of renowned artists – is still pretty dang spectacular. MS

The Nine Lives of Fritz the Cat (1972)
Photograph: American International Pictures

45. The Nine Lives of Fritz the Cat (1972)

Director: Ralph Bakshi

Cast: Skip Hinnant

It must have been quite a shock for conservative cinemagoers back in 1972 when this anarchic ode to lewd debauchery hit the screens. At that time, animated films were safe, cuddly Disney movies aimed at families. To oldies, Ralph Bakshi’s stoner adaptation of Robert Crumb’s articulate, subversive comic-book creation must have seemed like the work of the devil. Like Disney’s animations, it also anthropomorphised its animal characters. But there’s nothing cute about this crew of sex-starved revolutionary reprobates. DJ

  • Film
  • Horror

Director: Wes Craven

Cast: Louis Jourdan, Adrienne Barbeau

Unfairly forgotten nowadays, Wes Craven’s take on DC’s mutant eco-hero finds the director shaking off his gorehound image, spreading his wings a little and working with a bigger budget – all of which would feed directly into his next movie, the genre-defining A Nightmare on Elm Street. Well received at the time, Swamp Thing follows an experimental biologist whose experiment spins out of control (inevitably), transforming him into the titular gloop-loving plant-person. TH

Barbarella (1968)
  • Film
  • Science fiction

Director: Roger Vadim

Cast: Jane Fonda, John Phillip Law

The original Barbarella strip featured a space vixen with a curious resemblance to director Roger Vadim’s first wife Brigitte Bardot. So it probably wasn’t a huge stretch for the director to cast his new squeeze Jane Fonda in this kitsch masterpiece. The calendar in Barbarella’s spacewagon may read forty-first century, but this world of bouffant hairdos, oil lights and trippy lounge music is most definitely 1968. PF

Road to Perdition (2002)
  • Film
  • Thrillers

Director: Sam Mendes

Cast: Tom Hanks, Jude Law, Paul Newman

Oscar-winning luvvie theatre director goes graphic novel? Nicest Man In Hollywood Tom Hanks as an implacable hitman? Jude Law miscast again? It might not have worked on paper, but the classiest of all comic-book adaptations just about pulled it off on the silver screen. Wonderful photography, a richly detailed Depression-era setting, a sterling cast and a mean streak a mile wide meant that the hardbitten vision of the original was in no way softened for the mainstream. 

  • Film
  • Fantasy

Director: Alex Proyas

Cast: Brandon Lee, Ernie Hudson, Michael Wincott

Gaining a certain notoriety due to the fact that its star – Brandon ‘son of Bruce’ Lee – was killed while filming, The Crow still lives large in the heart of many a black-fingernailed Cure fan for its noirish twist on traditional superheroics. It’s that old tale of a young couple at a crucial moment in their relationship when a gang of liquored-up nunchuck-wielding street punks descend and give them a proper thrashing. Brandon lies dead on the roadside only for a crow to inject him with the spirit of life (and crows) so he can turn into a lank-haired vigilante who looks like The Joker’s emo kid brother and knock together some heads in the name of righteous retribution. DJ


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