Second of the archetypal backstage musicals from Warners (it followed hard on the success of 42nd Street) which established the idiosyncratic geometrics of Busby Berkeley. Some semblance of a plot (songwriter Powell turns against his wealthy parents in wishing to marry chorus girl Keeler), and much Depression wisecracking from Blondell, MacMahon and Rogers; but most notable is the vulgar, absurd and wonderfully surreal Berkeley choreography. Great numbers: Ginger Rogers adorned in dollars singing 'We're in the Money'; young lovers interrupted by rain while 'Pettin' in the Park'; and on a strangely bleak note, the files of unemployed ex-servicemen during 'Remember My Forgotten Man'. Delirious and delightful.
Cast and crew
|Screenwriter:||Erwin Gelsey, James Seymour|