Alone in his study late at night, Richard Milhouse Nixon ponders the pardon he's been offered for the Watergate scandal, and contrasts his secret honour with his public shame. Cue for raving resentment galore and perceptive insights into the politics of power and money. Made with a student crew at the University of Michigan, Altman's one-man theatrical adaptation, for all its dense verbosity, is resolutely cinematic, employing a prowling camera to illuminate the dark areas of its melancholy, megalomaniac hero's soul. While Baker Hall, ranting with drunken fervour at presidential portraits and a bank of security videos, suggests nothing less than a sometimes lucid, sometimes lunatic incarnation of mediocrity, irredeemably tainted by fame and failure. Fascinating stuff.