Lang's last film. Resisting the producer's requests for a remake, sequel or Son of... Lang instead updated the setting to postwar Germany, and invented a new Mabuse-type character (Preiss). Set in a large hotel where the characters' every move is monitored by the mastermind's TV screens, 1000 Eyes is none the less distinctly and wilfully old-fashioned in a way that is all Lang's own. Lines like 'Don't leave town', exploding telephones, blind prophets, gadgets more quaint than modern, and a supremely elaborate thriller plot where no one and nothing are what they seem, give it an anti-realist ambience more reminiscent of the Hollywood serial than of contemporary film-making. And, of course, Lang's anti-Fascist sentiments are unmistakably as up-to-date as they were in the '20s. Great stuff.