One of the monumental achievements in narrative filmmaking, Sergio Leone’s grandiose 1966 western epic is nothing less than a masterclass in movie storytelling, a dynamic testament to the sheer, invigorating uniqueness of cinema.
Clint Eastwood and Lee Van Cleef are their usual taciturn selves as rival gunslingers pursuing a cache of lost gold. So it’s left to Eli Wallach’s Tuco to steal the show, the archetypal pitiable, self-deluded villain, the rotten heart of Leone’s colossal canvas.
It’s hard to name another film with so many iconic, indelible sequences: Tuco following a trail of half-smoked cigars; the unmanned stagecoach thundering through the desert; the operatic Mexican standoff in the graveyard, as Ennio Morricone’s peerless score mounts over five nailbiting, wordless minutes. But what impresses most is the intimacy of Leone’s vision, sketching a vast array of ruthless characters with broad but subtle visual strokes, never losing sight of the humanity amidst the carnage.
|Release date:||Friday August 1 2008|
Cast and crew
|Screenwriter:||Age, Scarpelli, Luciano Vincenzoni, Sergio Leone|
Lee Van Cleef
1 cinema showing 'The Good, the Bad and the Ugly'
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I recorded this years ago and loved it. Until my three hour tape ended and I missed the last 20 minutes. Still don't know what happens...
Surely the mark of a classic film is that you can watch it 50 times and still find it entertaining. Ethereal in its depiction of the west, in a way that most American westerns are not. Beautifully shot and the music was and always will be PERFECT!