Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of Time Out straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
One story less, otherwise much the same Somerset Maugham portmanteau mixture as Quartet, similarly introduced by Maugham himself, and with the cast similarly making up for indifferent staging. The first and last stories (The Verger and The Sanatorium) are diffuse, facile, and pretty predictable; but Mr Knowall - with a clever performance from Nigel Patrick as the insufferable bore whose veneer of crashing insensitivity, inflicted on his fellow passengers on a cruise ship, momentarily cracks to reveal a surprising delicacy - is a neatly judged anecdote.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!