By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Umberto D.
Film
Advertising
Time Out says
Judging by his demeanour, the D stands for Deep Depression. But the old man at the centre of De Sica's famous film from the heyday of Italian neo-realism hasn't got much to be happy about, stripped bare as he is of all money and all friends except a little fox terrier. There's no denying the director's compassion, nor the dignity and strength of Carlo Battisti's performance, but there's nothing so wilting as doom and gloom couched in sweetly sentimental terms.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!