‘Chrome Black Gold’ is the London outfit’s fourth album, and it continues their trajectory through the outer reaches of progressive pop. Korg synthesizers fizz and slice, disco beats take unexpected jazz-funk detours, funk bass and saxophones cohabit with Rick Wakeman-esque organs. ‘Knopheria’ sounds like Earth, Wind And Fire’s Afrofuturist disco flying saucer colliding headlong with the steel scaffolding of ’90s techno. ‘Ultimate Sealed Unit’ segues back and forth from squelchy funk-metal to headlong rock, before resolving itself into what sounds an awful lot like an electric violin solo.
There is one change afoot: long-term frontwoman Lola Olafisoye has departed, so instead of her harsh, Grace Jones-style vocals we get sweet soul tones from Shingai Shoniwa of Noisettes, gospel belting from Chantal Brown and death metal growls from the band’s founder Leo Smee. Apart from that, ‘Chrome Black Gold’ is business as usual from this most unusual of bands. Buy this album here
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Enfolded within Camden Market, this building may have been a horse hospital at one point in its lifetime, but it certainly ain't an animal refuge any more. The cobbled floors remain, as do the stables, but they've been spruced up and turned into booths. The roof terrace has also been revamped with bright colours and twee bunting. The main space is usually decked with artwork on the walls and also has a stage for live bands. There's a cabaret room on the other side of the venue and, of course, a bar serving up the usual tipples. Club nights here usually feature indie-electro, synth-pop, R&B, hip hop and funk.
Venue says: “From Drizzy to Dizzee, we play you the best in hip hop, trap and grime every Wednesday at Proud Camden.”