‘Runnin’’ by The Pharcyde
Clean, precise and radically different from most hip hop at the time, James ‘J Dilla’ Yancey was already a rising beatmaker in Detroit before his work with Californian rappers The Pharcyde in 1995 made him a hero within hip hop circles.
Influenced: 'Señorita' by Justin Timberlake
‘The Light’ by Common
A highlight from the Philly rapper's album ‘Like Water For Chocolate’, Dilla expertly worked in a sampled chorus from smooth ’70s crooner Bobby Cauldwell into this Grammy-nominated hit from Obama’s favourite rapper, Common.
Influenced: 'All Falls Down' by Kanye West
‘African Rhythms’ by Jay Dee
While Dilla’s known for his otherworldly flair for sampling records and reinventing them, this cut from his debut solo album (made under his ‘Jay Dee’ alias) was recorded with live drums and bass. Magically though, it still possesses his trademark slanted rhythms and off-key swing.
‘Two Can Win’ by J Dilla
Dilla tragically contracted an incurable blood disease in 2002. His mother brought his sampler into the hospital so he could work and the result was ‘Donuts’ – a staggering album of instrumental hip hop released just three days before he died. Songs like ‘Two Can Win’ don’t reflect his misfortune at all, but instead brim with unabashed soulful joy.
Influenced: 'After Laughter Comes Tears' by Nicolas Jaar
‘Love’ by J Dilla
Hip hop has a reputation for some appalling posthumous releases (just look at Tupac), but Dilla’s close friends did a great job of patching up his unreleased beats to make ‘The Shining’ LP. This impassioned burst of Al Green-esque funk (featuring rapper Pharoah Monch) was a standout.
Influenced: 'Fall In Love' by Flying Lotus
Here’s what happens when Dreambagsjaguarshoes grows up, packs its bags and moves to Dalston. The Victoria is now owned by the same people as the perennially cool and grungy Shoreditch hangout, and probably represents a mellowing out with age – it’s a pub, it’s more relaxed, it stages live music, and it’s on a backstreet off Dalston Lane instead of the illuminated strip down the road. As a pub, it’s decent – an artily thrown-together look, a few local beers (although not many), and a ‘residency’ from peripatetic grillers Psychic Burger. It’s a misleading name – I sat thinking about what I wanted to eat for half an hour before having to go up and order at the bar in the old-fashioned way. But as US diner food in plastic trays goes, it’s a fine example of its type. Through the back of the pub is the stage, where assorted bands assemble to perform. The Victoria has been a scuzzily democratic live music venue for decades, so it’s great that the new owners kept that going and didn’t turn the room into a dining room/yoga space/Tesco Metro.