‘Sumie’ was recorded with the help of two pianists: studio owner Nils Frahm and the record’s producer Dustin O’Halloran. But aside from a silver dusting from O’Halloran’s keys towards the close, the album is dominated by the thrum and thuck of Nagano’s guitar, often just rocking between two notes, and her lovely, Fairy Non-Bio-soft voice, occasionally haloed by the faint glow of a ghostly backing choir as on current single ‘Show Talked Windows’. It’s warm, close and sleepy, with a lyrical palette of snow and starlight, candles and clouds. No surprise that she’s a current favourite of Simon Raymonde: Bella Union label founder, Cocteau Twin and sucker for all things gossamer.
‘Never Wanted to Be’ intrigues with its sadly iterating vocal line stalled by death and regret, while the sentiment and droopy-lidded minor melody of ‘Speed Into’ will please fans of Mazzy Star. But there’s a line between ‘subtle’ and ‘might as well not be happening’, and ‘Let You Go’ is one of several tracks here that waft over the line in the wrong direction. It only momentarily snags your attention with the ‘eh?’ lyric, ‘Your touch is tainted by the dog you hold under your arm’ – a flicker of oddness that Sumie might, as her sister has done, just benefit from nurturing.
We’re writing this from parental leave ourselves, so count us as tired, tender and ready to tear up appreciatively at the faintest hint of fragile beauty. But the best cradle-side records – by Lou Rhodes, Essie Jain or Vashti Bunyan – have a power in the calm that’s absent from ‘Sumie’. It is possible to blow people’s socks off without waking the baby. Buy this album here
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You haven't 'done' Soho until you've been to a gig at The Borderline, simple as. This much-loved venue with a loyal audience has given a platform to countless bands and artists throughout its long history – stretching back over 20 years – and is still going strong today, showcasing both new and revered talent. Head in for a gig on any given day and you could find yourself moshing to rock and metal, getting busy on the dancefloor at an indie club night or perhaps soaking up the sweet tone of a folk, blues or Americana singer-songwriter. It can get a little cramped when the 275-ish capacity fills up, but that's all the better for creating an intimate atmospherewhere between artist and audience, and means you won't have to worry about elbowing your way to the front past thousands of people. A Soho musical institution. We were there when The Borderline reopened in March 2017: