Albee's powerful, coruscatingly brilliant study of tribal rites among the New England jet set. It is also first and foremost a stage play, utterly dependent on direct confrontation between actors and audience, verbal in origins, drawing-room in setting and, on the surface, eminently static. Richardson (as is the norm in this American Film Theatre series) settles for 'filming' the proceedings, and only succeeds in evaporating the tension and the clarity of the original. That said, the cast on show is unbeatable. They make the whole grinding affair bearable, but you'll still get a stiff neck.