Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of Time Out straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
The Hollywood remake of the Jean Gabin classic Pépé le Moko, and usually compared unfavourably. Certainly there is little tension or grit in this version of the story of the supercrook who pines for Paris and is lured from the safety of the Casbah for love of a beautiful woman. Instead, there is a fantastic opulence in the black-and-white photography (by James Wong Howe), and a totally aestheticised style of acting from Boyer and Lamarr in particular. Lamarr is extraordinarily sultry (especially with her indefinable accent), and the overall effect is as if producer Walter Wanger was trying to imitate Von Sternberg's work at Paramount with Dietrich.
Advertising
Been there, done that? Think again, my friend.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!